La Fiancée

  • Posted on 22/01/2011
  • /Under Musique

Cover-albums. Usually a sign of artistic fatigue (like the double live album), but Claire La Fiancée is just starting. And because the songs on her first two EP’s (especially the first one, that ended high in the FS Yearlist in 2009; see here) were fresh and sensual, we believe her when Claire states that on Trois she’s covering the songs she loves, her way. Songs by Benjamin Biolay (Bien Avant), It’s Immaterial (Driving away from home, a duet with original singer John J. Campbell), The Zombies (Smokey Day, that now sounds like something Serge could’ve written for Jane in the 70s), Etienne Daho (Ouverture), Brigitte Bardot (Une histoire de plage, see Claire do a live version here) and Jil Caplan (Tout ce qui nous separé). Interesting choices, very nice result. She really gave the songs a La Fiancée makeover.

La Fiancée – Tout ce qui nous separé

The Mouth of Serge

  • Posted on 21/01/2011
  • /Under Video

Pietro Marcello’s movie La Bocca del Lupo, shown at the 2010 Berlin Film Festival, features the urban underbelly of Genua, rugged Italian individuals, the amore between a long-time con and a transsexual, and Serge’s L’eau à la bouche. Merci à Matthias.

Nicolas Comment

  • Posted on 21/01/2011
  • /Under Musique

Serge Gainsbourg, produced by Martin Hannett, of Joy Division-fame. An apt description of the songs on Nicolas Comment‘s second album, Nous Etions Dieu. That was actually produced by Marc Colling, of Nouvelle Vague-fame. Nicolas is a photographer too, several books with his works were published. See examples here. Where you also can read that he worked with Rodolphe Burger and Jacques Higelin, and that Comment made a book-plus-cd in 2008. See/listen to a track from that album here.  I listened to Nous Etions Dieu several times now. The Gainsbourg-influence is easy to spot, first song Je te veux sounds like a Melody Nelson-outtake. Closing song Comme d’une foret la hache is more in the Tête de chou-vain. First single and title track Nous étions Dieu is haunting, catchy, retro-chic song with a great video (posted that one earlier, here). L’Attendue is very strong too. Jerome Attal made a similar sounding album a few years back, he didn’t cross-over to non-French-speaking countries. But I can see Nicolas step over the border.

Nicolas Comment – Nous étions Dieu

Allez Vanessa!

  • Posted on 20/01/2011
  • /Under Musique

Vanessa Contenay-QuinonesNo extensive introduction on Vanessa Contenay-Quinones here at FS anymore. Regular visitors already know the cool seduction on high heels with the beautiful, sultry voice and misty eyes for a while now. Her 60’s influenced French popmusic was already around here a few times. Same goes for the music of her band Vanessa and the O’s (about to release a new album soon too, the site stated), but we never had a topic on her first band Espiritu, with whom she recorded two albums from 1993 to 1997. The best was then yet to come.
Inbetween 2008 and 2010 Vanessa recorded several tracks for her project called Allez Pop! Some of them ended up on compilation albums like Filles Fragiles 2 and Musique Fantastique, one track (Bon Bon Bon) even made it to the OST of the action-comedy Killers with Ashton Kutcher, Tom Selleck and Katherine Heigl. So it was about time to put all the recordings together and release Allez Pop! A superb idea. The tracks are seductive, fresh, quirky and tributary of course to Gainsbourg and Bardot, Dutronc and Hardy to name but a few. An unpretentious candy with attitude. Highly recommended.

And for those who might start thinking that Vanessa can’t do any wrong… just wait and see her with a bizarre performance as Vanessa St. James in collaboration with Lou Reed (!) on a weird kinda dance version of Velvet Undergrounds ‘Sunday Morning’. Not even a sin of her youth, as this Italian show (starts at 02.30) is from 2004. But some can’t do wrong, right?

Vanessa Contenay-Quinones – Odyssée (see the video)

Celebrations

It was 20 years ago this year, that Serge passed away. There’s always a reason to celebrate his legacy, but this year we’re doing this with the release of the Dutch translation of Sylvie Simmons’ excellent SG-bio (on Feb 10, Maison Descartes Amsterdam), and with no more then three Soirée’s. On March 2 (appropriatly) in Bitterzoet Amsterdam, on March 5 in Ruimte X Tilburg (I won’t be there) and on March 12, as you can see, during the original Soirée in Petrol Antwerp. Serge van Duijnhoven (poet, writer, phenomenon, Gainsbourg-fanatic) will be there, singer-songwriter Rick Treffers, a food performer, a jazz pianist, a Flemish conferencier, and me. And in Antwerp of course the indispensable Louis Katorz and Pierre Elitair.
Oh, and on Feb 12 I’m partying like it’s my birthday (which it is) in De Nieuwe Anita Amsterdam, together with this gal.

The Serge Gainsbourg Experience

  • Posted on 18/01/2011
  • /Under Musique

Serge Gainsbourgs songs were translated to English before (by Mick Harvey on this two brilliant tribute albums, and later on for this album), there have been various tribute albums (one springs to mind), so what makes Brad Scott’s Serge Gainsbourg Experience worthwile? Not his looks. His throaty voice works in songs like Sorry Angel and I Just Come to Tell You I’m Going, and he gets vocal help from the fragile Celia. My guess is shes his French daughter, for she doesn’t sing with the same accent as Brad (and sounds really sexy in SS in Uruguay). Mick Harvey had that right icey, arrogant tone in his voice. Brad lacks this, so Bonnie & Clyde is more a screamfest then the brooding song it is in the Serge-Brigitte version. Other songs, like Contact, are turned up to 11 as well. Ma Lou Marilou is just silly with the sqeaky noises and off-key accordion. But I like Valse de Melody, in which Brad sounds a bit like Arno Hintjens. By the way, the English translations were made by Boris Bergman, who also wrote Aphrodite’s Child Rain and Tears. And Brad played bass with Bashung, Jacques Higelin and Arthur H. And he met Serge once. I envy him. A lot.

The Serge Gainsbourg Experience – Sorry Angel
BONUS: all other versions
Serge Gainsbourg – Sorry Angel
Jane Birkin – Sorry Angel
Bollock Brothers – Sorry Angel
Walkabouts – Sorry Angel
Franz Ferdinand & Jane Birkin – Sorry Angel
Jef Lee Johnson & Nathalie Richard – Sorry Angel

Nicolas Comment

  • Posted on 13/01/2011
  • /Under Video

Produced by Marc Collin, it sounds like Serge doing a session with Martin Hannett. Album’s coming next month.

Claire Keim

  • Posted on 13/01/2011
  • /Under Musique

January is not even halfway, but the first fragile highlight of the year is here: debut-record Ou Il Pleuvra by actress/singer Claire Keim. Her single (written by Ours) was a pretty affair, but the short-but-sweet-album is very, very good. If you like Vanessa Paradis-soundalikes who vocally lick your earlobes, that is. As I understand it, most songs were written or co-written by Claire herself, Ours lend a hand and so did the great Francis Cabrel. First he worked with the gorgeous Souad Massi, now he wrote the album’s title track for Keim. Nice going, Francis! Claire’s album is melody-rich, sensual, sunny, playful and 60s influenced. No, Tel que tu es isn’t a Charlotte Gainsbourg-cover, but the use of rhythm guitar, phat piano and Claire singing about being naked, it sure is reminiscent of one legendary smoker. NSFW-movieclips of Claire here. Her husband, a former footballer and now European jui-jitsu champion, is this guy.

Claire Keim – Ou Il Pleuvra

In other news: Revista 69 has the new Yelle single. HERE. (And a whole bunch of other blogs too)

Melissmell

  • Posted on 12/01/2011
  • /Under Musique

Melissmell, named after her grandmother’s perfumes, just released an album that of course kicks off with her majestic version of the French national anthem. With her hoarse voice, she resembles 80s icon Guesch Patti. I’m not getting all the lyrics on her album Ecoute s’il pleut, but the use of a wind-up toypiano, pizzicato strings, dramatic piano and songs like Le silence de l’agneau (Silence of the lamb), my guess is Melissmell sings about her youth in the Ardeche, her grandma and her dreams as a teen. And of course, listening to the rain. Closing track L’éveil is my favourite.

Melissmell – L’éveil

← Newer Posts
Older Posts →