Miles Kane covers Jacques Dutronc

Ever since David Bowie ripped off La fille du père Noël for his Jean Genie, Britrockers have a thing for Jacques Dutronc. Miles Kane (singers of The Rascals, one half of The Last Shadow Puppets) confessed his love for Gainsbourg earlier, and now honours Dutronc by covering Le Responsable – in English. But still. It’s on his just-released Come Closer EP and I think it’s a very good version. Close to the original yes, but energetic and fun. See a good live-version here.

Jacques Dutronc – Le Responsable
Miles Kane – The Responsible

Aznavour Toujours

One of Frank Sinatra’s most famous live recordings starts with the words: „We will now do the national anthem, but you needn’t rise.“ That could as well be the introduction to the new Charles Aznavour album, Toujours. Aznavour’s songs had and still have anthem quality in a national sense, reflecting state, sense and sensibility of his country. Toujours mirrors even more: Un homme de 87 ans whose reflection still shows Charlie, his alter ego in Truffaut’s 1962 Paris noir Tirez sur le pianiste, all the desolation, longing, and heartache, blended with the picture of the French big league entertainer who even balanced most embarrassing moments with … well, style. You won’t get more Gallic sweep, pathos and sentiment for your money this year. As for Tu ne m’aime plus: 10 handkerchiefs.

Charles Aznavour – Tu ne m’aime plus

Bonus: The German version of Aznavour’s early 70s Les plaisirs démodés, beginning as a stroboscope disco funkfest, evolving into sublime adult pop and finally into a spoken word oratorio, rugged individual style.

Charles Aznavour – Tanz Wange an Wange mit mir

MM, Ko & Joséphine, Emma Solal

MM, Emma Solal and Ko & Josphine are fresh new artists who released noteworthy EPs recently.

MM is a Liège-based artist (I wouldn’t call her a singer, she speaks more than she sings) who made 8 songs about Marilyn Monroe. That’s about all I know about her. Miam Monster Miam send me the link to her Reverbnation-site, where you can listen to the songs and download A l’hotel for free. In a way, this reminds me of Benjamin Biolay’s concept-album about the Kennedy’s. MM sound intriguing, I see that’s she’s profiled in Serge magazine, I’ll keep you posted on more details when I get my hands on that.

Ko & Joséphine were already profiled in Serge magazine, that’s how I got to know this jolly duo.  They hail from Bretagne, Christelle sings (and sighs a lot, just the way we like it here, listen to her giggle in ‘Supermarket’), Niko is the music guy. A comparison with Les Rita Mitsouko is easily made, also because Niko & Christelle like to add a lot of 80s influences in their music. See them in action here.

Emma Solal introduced herself by saying that she made an album with help from Pierre Faa, of Peppermoon-fame. That made me sit up straight. Her voice reminds me a little of Barbara Carlotti’s, her songs are rooted in French chanson tradition, from the Brassens-era and the seventies-era, much loved by Pierre. Robe du Soir, written by Pierre, could’ve been a Peppermoon song allright. I chose the jazzy, very sultry Première fois. Are you paying attention, Serge?

MM – A l’hotel
Ko & Josephine – Elle aime le catch
Emma Solal – Premiere fois

New Soko video

See the video Spike Jonze made for Soko’s  I thought I was an alien HERE, also read the Q&A with her.

Coeur de Pirate playing Golden Baby

A track from the upcoming album, live in the studio:

In other news: Beatrice/CdP’s singing a track (along with Carla Bruni, Emilie Simon, Olivia Ruiz and Jamie Cullum) on the Christmas-album by Michel Legrand. See full tracklist here

Camille on Later With Jools Holland

I must admit, I’m warming up to Camille’s new album. She played 3 songs on the wonderful Later with Jools Holland show (one, two), Wet Boy is both strange and beautiful:

Lulu Gainsbourg

New official video: “L’eau à la bouche”

 

Listen to a snippet of Vanessa Paradis & Johnny Depp singing ‘Melody Nelson’ on Lulu’s upcoming album HERE

NN+

It is always good news when old friends have a new album released.  Especially when it is a brand new album from the legendary Filles Sourires Sweethearts Nous Non Plus. Jean-Luc Retard and (in particular) Céline Dijon  are on our radar since the beginning of this blog as can be seen here. And their first album even made the list 0f best albums of the decade by official FS-contributor Sky.
After that debut album came a second one in 2009 and now there is a new album called “Freudian Slip”. And it doesn’t disappoint. Céline Dijon is as sultry as ever and the sixties yéyé influence is still there as is the eighties electronic organ. The title song sounds like a rediscovered Serge track, “J’en ai marre” strongly reminds me of French eighties new wave. Unfortunately there are  only eight tracks on the album.
First single is a “tribute” to Italian President Silvio B. called “Bunga Bunga”. It goes with a lovely video that can be seen here.
 But for today I choose for what could very well be the last summer song of the season, the lovely “Yé-Yé C’est l’Été”.

Nous Non Plus – Yé-Yé C’est l’Été / Summer Song

Dirty Beaches vs Françoise Hardy

Françoise Hardy’s piano in Voilà, combined with eerie, dark rockabilly. Now there’s a treat. The guy responsible for the mix is Alex Zhang Hungtai (aka Dirty Beaches), a Taiwan-born Canadian immigrant who spent a good chunk of his life feeling unmoored and adrift. He loves David Lynch, Jim Jarmusch, Wong Kar Wai and the music of Johnny Cash and The Stooges (he covered them both). Dirty Beaches’ album was released in March, but Jan Kooi told me about Lord Knows Best, with the Hardy-sample. This video merges images of Hardy and Hungtai. In the same vein was the use of Chantal Goya in a track by Wild Nothing.

Dirty Beaches – Lord knows best
Françoise Hardy – Voilà