Françoise 70 (2)

Another artist’s guestpost about the soon-to-be 70 year old Françoise Hardy, by French singer Dear Eyes:

“Since I saw Wes Anderson’s “Moonrise Kingdom”, “Le Temps de l’Amour” is my favourite Françoise Hardy song, because it’s presence in the movie is so important, so haunting, so revealing, and it has a delicious Tarantino-esque feel to it too. But if I had to choose another one, maybe lesser known, I’d pick “Tout Ce Qu’On Dit” from the album “Ce Petit Coeur”. It’s a very poppy song, and it’s on my favorite album, with a British 60’s sound that always made me love this period from her discography. And she looks so beautiful on this blue cover.”

Françoise 70 (1)

January 17 marks the 70th birthday of Françoise Hardy, the mother of all filles sourires. The next few weeks, we’re going to pay tribute to Françoise by guestpostings, special covers and whatnot.

This is a guestpost on their favourite FH-chanson by French band (and FS-fave) Pendentif:
“We like Françoise Hardy for the romanticism, this sweet melancholy about her person. There’s this very French edge to her, this icy beauty that you see in actrices such as Catherine Deneuve or Isabelle Huppert.
Her lyrics echo a sense of universal purity, the idea of going back to the origins, to what is most important after all: the birth of a great love, the origins of the world.
This song is really one of the best in its genre, with Serge Gainsbourg writing over the instrumental of the original track “It’s hurts to say goodbye”. Gainsbourg masters brilliantly the technique of rejection, by stressing the beat drop with the syllables “ex” and with added spoken words. The song was released early 1969, the erotic year or l’année érotique as the French say!”

Year list (6)

Guestposter David rounds up his favourites of the year:
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Like Steve, on this side of the Atlantic release dates can be problematic. Melanie Pain’s “Bye Bye Manchester” made a yearlist last year, but it shows up to me as a 2013 release. Far and away the number one album for me this year, but there are many other good ones. I thought it would be tough to come up with 10. I’ve had to trim instead. Perhaps not such a bad year for filles, looking back.

11. Elsa Kopf, “Marvelously Dangerous”. The English title misleads a bit, as unlike Elsa’s “Acoustic Joys”, here she sings mostly in French. I confess some of Elsa’s singing is almost too perfect and sweet for me, but every time the music shuffles to Elsa I find myself stopping what I’m doing to listen anyway. A puzzlement. My favorite, “un chat, un chat”.

10. Clarika, “La Tournure des Choses” – Clarika will be familiar to long time “Filles Sourires” fans, but somehow her latest effort escaped mention. Clarika continues to surprise hitting it perfectly with “C’était Mieux Avant”.

9. Maude, “Le Temps Inventé”. First newcomer on this list. Maude’s voice drives every song, clear as a bell, calling Marie-Pierre Arthur to mind, but Maude stays more towards the folk side, as you might expect of a Granby music festival participant. A pity, in a way, as “Coeur En Boule” is far and away the best song on this CD, but I like most of the songs on this CD. Here’s “Si Le Monde” .

8. Mell, “Relationship Cheap”. Drifing away for a moment from the sweetness and light side, clearing whatever the ear’s equivalent of the palate might be, Mell put out another hard driving rock album. “Oh Mon Amour” works on a variety of levels, with Mell’s signature guitar and vocals. Here’s a video of “Un Pied Dans Le Vide”.

7. Anik Jean, “Schizophrène”. Drifting even further away, Anik continues her Goth/heavy metal ways. Anik’s another favorite, and her fourth album doesn’t disappoint, with “Tu Es Mon Enfer” as an example.

6. Maissiat, “Tropiques”. Amandine Maissiat, previously of Subway, put out her first album early in the year. “Tropiques” includes songs from her previous EP, but with enough new material to make the purchase worth it. Here’s a video of Maissiat performing “Havre-Caumartin”.

5. Auren, “J’ose”. If you like Austine, there’s a fair chance you will like Auren. Girl/guitar/acoustic with low voice that carries her songs effortlessly, capturing attention like a whisper in the ear. And she’s pretty, of course. Another video here.

4. Les Soeurs Boulay, “Le Poids Des Confettis”.
I can’t add anything more than Steve has already said. A favorite. Recommended.

3. Robi, “L’hiver Et La Joie”. When I first heard Robi thanks to Filles Sourires last year, I kept a close eye out for Robi’s first album. Wow. The first three songs on this CD got a lot of air time with me this year. Video: Où Suis-Je .

2. Marie Cherrier (pictured above), “Billie”.
I confess I sometimes can’t tell one pretty voice from another. I can always pick out Marie’s, though. My favorite: “Scotch”.

1. Moongai, “Cosmofamille”. I’ve only had this CD for this past month, but it’s already got a lot of play. One of those albums you can play straight through without wanting something different. When Guuz says “this could be big”, I pay close attention. Moongai’s electronic/pop style reminds me somewhat of a U.S. duo, “Bitter:Sweet”. Here’s Cosmofamille.

Yearlists (1)

The end is nigh, that’s why we like to round things up. The FS-editors and regular guestposters made up their minds about what they thought were the bestest French albums and/or songs of the year.

Here’s Guuzbourg’s list:

1. Pendentif – Mafia Douce.
It’s retro, yes. But the combination of ‘American beaches and British winds’ worked like a charm. I played this album to death, and I never got bored.


2. Vanessa Paradis – Love Songs.
Of all the Big Stars who released albums in 2013 (Benjamin Biolay, Elodie Frégé, Alizée, Axelle Red), Vanessa took the biscuit. Maybe not as solid as Divinidylle, but Tu vois c’que je vois, Prends garde a moi and even the duets with Biolay (who disappointed with his own album) are very, very good.


3. La Femme – Psycho Tropical Berlin
Twannggg! The debut album of this Parisian collective is a wild, weird and wonderful affair, ranging from an update of the surftastic Sur la planche to synthified Si un jour. It’s not a perfect album (too many songs), but the ideas, the sultry vocals and the energy make up for the flaws.


4. Forêt – Forêt.
What Steve said.


5. De La Jolie Musique – Plein Soleil.
One could think that French music is all about re-vamping old ideas – this top 5 is almost completely retrofied. So what, I say. I fell hard for this update of the exquisite, rich soundtrack music of J-C Vannier and Francois de Roubaix, with some John Barry touches.

New Christine & the Queens video

Christine (Nantes-born Heloise Letissier) said about this track and video: “The Loving Cup is a song I wrote just after seeing Paris is Burning for the first time. I wanted to make a power song that could allow everybody who listens to it to be fierce. It is an invitation to join Christine and to recreate yourself to become exactly who you want to be without being judged: therefore The Loving Cup works just like a Vogue Ball. And the party is opened for everybody without exception: all we need right now is love and acceptance. The boy starring in the video could be anyone: he’s mysterious and never reveals the true reason of his transformation. But the fact that he needs to escape and have fun is good enough for us.”
The band was formed in London, where Heloise/Christine was down and out when she met a couple of drag queen “who helped me getting back on my feet. Because they were rejected, or because they had to fight to be just who they wanted to be, they usually are generous and welcoming with those who seem lost. And I think we really need this kind of human warmth nowadays.”
This danceable track (think Sia, think Florence) differs from the more downtempo song we’ve posted on this blog earlier (this one, this one) and it’s not in French. The album’s out next year, and it will include at least a couple of French tracks. Which is good.