You want the meilleur: FS Yearlist

The end is nigh, so we’re counting our musical blessings again. What were the FIVE best French-language albums by girls in 2010? And the FIVE best Male French Vocal Achievements, released this year? Send your lists, and add some comments to each choice, to guuzbourg[a]gmail[.]com. Do it before December 10. Publication of the FillesSourires Yearlist will be around Dec 15. Merci!

Marianne & Francoiz take America

In October, Marianne Dissard and Françoiz Breut toured the US of A together. Eleven days, eleven shows, 3489 miles. That’s a roundtrip Paris-Moscow! Especially for FillesSourires, the girls kept a diary. It’s star-studded, it’s funny, it’s girly, it’s a good read.

Jour 1 – Bruxelles to Tucson
Françoiz : I don’t really feel like landing and having to go through the impressive border checkpoint. In Chicago, a charming border agent, a sort of Mickey Rourke (is his hair greased back or just greasy?), asks me why I’m coming to the USA and what my job is in Bruxelles. I shake and say I am an illustrator. Now, onward to Phoenix, a city of suburbs that extend straight into the surrounding desert, houses that spring out of the ground like weeds.

21H30 : Marianne and Shana – a cute blond – come to pick us up, Stéphane (my guitarist) and me at the bus shuttle in Tucson. Marianne plays tonight at Plush, with her young musicians, including Sergio, who had played with me when I was last in Tucson. The bar is quiet. Marianne softly sings with her big glasses, anchored to her mike. We meet up with our road companions, Antoine and Christophe, last seen at the Bruxelles airport. They’re here to film our tour, beginning tomorrow.

Jour 2 – Tucson to San Diego

Françoiz : Early rise; I don’t quite realize yet that we’re playing in San Diego tonight. Marianne has found us a drummer, Jonathan Richman’s drummer. I’ve been a fan of Jonathan for a long time. We used to cover one of his songs in Les Squads Femelle, my first band. It’s always strange to play a show with someone you’ve never met before but apparently, that’s the American way. Now, we have to go get a guitar we’re borrowing from Al Perry, after having breakfast at Hotel Congress. Howe Gelb drops by to say hello before leaving for a show in Europe. We go pick up Tommy Larkins (the one who plays drums, sitting on a tree branch in There’s Something About Mary, next to Jonathan Richman). He walks out of his house and into our tour van with a glass and bottle of white wine. It’s barely 1pm; I guess you wake up as you can.

The van is too big, our heavy heads roll around. We get stopped at the California border: “No fruits with you?” No fruits, no problem. We arrive, after a few stops in the desert, on Paloma Road. What a nice name! I’ve never put myself in an oven: that’s how it feels like when we step out of the van. Los Angeles reached 45 degrees today, the highest temperature ever recorded at this time of the year since temperatures have started to be recorded in 1887!

Marianne : I’m drifting, head in the clouds. I’ve managed to sneak on the CD of my musical obsession of the moment, A Sufi And A Killer by Gonjasufi. Sand dunes, then we cross the Arizona/California border. The sun is setting, grey-pink. All is hallucinating around us, in my head. Hallucinating, the arrangements of Gaslamp Killer on that album. Hallucinating, the temperature outside the van. Hallucinating, these people around me who joke in French. Hallucinating, that coïncidence, a tweet from Gonjasufi who writes that he’ll try coming to our show in LA. I’m all excited about if for miles!

Read the rest of the tour diary HERE. A tourvideo is up on Marianne’s Facebook, HERE.

Marianne has a new album coming out next year. See a teaser video HERE.

Viva la muerte! (Guestposts wanted)

Día de los muertos is coming up (November 2), a day I want to celebrate on this by posting your guestposts on the most beautiful, touching, gripping, sad or (why not) happy French song about death, mortality, cemeteries, pallbearers, funerals and whatnot. You can make your piece very personal, you can write a few sentences on what song you’d prefer on your own funeral. Old songs, new songs, I don’t as long as they’re in French. My mailbox is open (guuzbourg(a)gmail.com), I promise I will post ALL your contributions. Deadline is, of course, October 31st.

Ulrich T. Does Charles T.

Even the good old Deutsche Grammophon label – once home of Herbert von Karajan, Daniel Barenboim, or Claudio Abbado – doesn’t offer the same quality choice anymore. Meanwhile, they have broadened their product range a bit: Recently they signed Ulrich Tukur, German tv cop for Europe’s probably worst crime show Tatort and a grandmaster of the overacting art, and produced his song album Mezzanotte, which contains a lovely duet with 90-years-old German movie legend Margot Hielscher, an unscrupulous raping of Friedrich Hollaender’s wonderful and immortal Illusions, and even two French numbers, one of which is a stiff and stilted carnival version of Charles Trenet’s nonchalantly charming 1939 chanson Le soleil et la lune. And history is repeating: In 1940, German troops did to France what Tukur is doing to Trenet in 2010.

Ulrich Tukur – Le soleil et la lune

Coralie Clément

This Friday just got a shot in the arm, FS-friends. Feast your ears on this, a duet between songwriting genius Jacques Duvall and the guardian angel of this blog, Coralie Clément. Listen (and/or download) HERE.

Commercial Serge

Serge Gainsbourg appeared in quite a few commercials back in the day, there are a few on Youtube and other video sites like this one, this one and NOT this one. Probably the most famous ad he did was for Black & White whiskey. Here you can also download a song Serge and Jane made for after shave brand Caron. (Thanks Anna) EDIT: The Perrier-commercial was not made by Serge (see the comments). I googled some more, and found this one, probably the best commercial EVER with Serge in it (if you don’t get the joke, see this).


In other Gainsbourg-related news: meet Benjamin Paulin, who styled the cover of his first album after Serge’s debut-EP. His music refers to Leonard Cohen, MC Solaar and Serge of course. I’m crazy about the long (7 minutes) title track, that sounds like an updated inedit of Melody Nelson. See more here.

Benjamin Paulin – L’homme moderne