Lise

Playing the piano since the age of 5, worshipping Haendel and Chopin and finally covering The Pixies and 50 Cent: Meet Lise. The young singer/player just released an album (posted a track from her EP earlier) that was recorded in America and features a few English songs. The atmosphere, the emphasis on the piano, her breathy voice and her Franglais makes it easy to compare her to Emilie Simon – Lise takes that as a compliment. Well, we all know what happened to Simon (ahem), and though the English songs sound kooky in a cool way, I wouldn’ recommend Lise to pursue an carreer in English. I mean, take the brilliant duet with Dionysos-singer Mathias Malzieu – that’s imaginative stuff, clever writing and a catchy tune. Go French or go home!

Lise & Mathias Malzieu – La Ballerine St Le Magicien

L’Amour à la plage

Niagara’s L’amour à la plage is one of my favourite French 80s songs, and probably one of the best French summersongs ever recorded. It’s sung by wet-dream-come-true Muriel Moreno, and sold over 200K copies when it came out in 1985. Belgian trio Mon Réal just released a great cover of the track, one that will appear on their upcoming album. L’amour à la plage was covered earlier, by punkrockband Ludwig von 88 (by far the loudest version), by actress Virginie Ledoyen (by far the sweetest version) and by Toma & Api (by far the huskiest version). Take your pick!

Niagara – L’amour à la plage
Virginie Ledoyen – L’amour à la plage (link=fixed)
Ludwig von 88 – L’amour à la plage
Toma & api – L’amour à la plage
Mon Real – L’amour à la plage

Fusée Dorée

Guestpost! Natasha on Emmanuelle, aka Fusée Dorée:

After a good one woman performance on 17 June 2011 in Amsterdam for the quarter final in the singer-songwriter category of the Grote Prijs van Nederland, a Dutch music award, Emmanuelle Ornon aka Fusée Dorée, French but living in Amsterdam, is putting out her first two singles “Un rendez-vous/ La carte” on Amsterdam-Detroit based label, Cherry Juice Recordings. Says Ornon: “A couple of years ago, I was playing around with my loop machine, putting music to French poems for a performance at the French Institute in Amsterdam. And it felt good, experimenting with vocals and minimal guitars and beats. So I haven’t stop playing, and songs have popped up and grown, and now there’s a whole family of them.”

Fusée writes her own lyrics in both French and English and works with other musicians such as Mario Ramirez, a fellow musician from band Children SuMadre who played bass on a few songs, while Ian Holchaker and Max Koedijk cooked up some additional beats. Her voice has just been featured on CRJ’s digital release “Quelle importance”, performed by Japanese house artist and DJ Motomitsu.

Speaking of which, not only will Motomitsu be in town on Saturday 25 June to be part of the live performance of Fusée Dorée at De Nieuwe Anita in Amsterdam (hint: her new single is seriously electro and trip hop), Oh La La’s Natashka has rounded up DJ Laurent Chambon and DJs Cowboy & Henk for an evening of high energy French music inspired by Fusée Dorée called GOLD.

Fusée Dorée – Twinkle
Fusée Dorée – Mes amants

Benjamin Biolay

Benjamin Biolay acted before, in this film for instance, now he’s the leading men in Pourqoui tu pleures. Directed en written by Katia Lewkowicz, it’s a film about a groom getting cold feet. I haven’t seen the movie, but from what I read so far, I think this Variety-review hits the nail on the head: ‘a name cast indulging in plenty of French-style rude behavior, this not-particularly-amusing comedy of (bad) manners centered on a group of unsympathetic characters seems destined for niche domestic audiences, and is unlikely to translate in non-French lingo countries’. Biolay wrote an  album with songs used in the film, and inspired by the screenplay. It features a duet with co-star Emmanuelle Devos, and solo’s by other stars Sarah Adler and Anna Zimmer. This album comes hot on the heels of BB’s masterpiece La Superbe, in comparison this soundtrack isn’t as strong (no surprise there). There are a few solid songs, like the Barry White-styled Le Bonheur, Mon Cul and the Devos-duet. Music-wise not a highpoint in BBs career.

Benjamin Biolay & Emmanuelle Devos – Pourqoui tu pleures

Hanna

Best Lio-ripoff I heard in months, is Anti-Moi by Hanna. Her EP was released via MyMajorCompany, the crowdfunded label and home of Joyce Jonathan and Gregoire. Anti-moi isn’t the single, that’s Et si (clip). The EP has some promising moments, but is way to fluffy to really make a lasting impression.

Hanna – Anti-moi

No Strings Attached

„G-strings are not required in Quebec“, Margaret Dragu and A.S.A. Harrison write in their knowledgeable Revelations: Essays on Striptease and Sexuality. „In 1979 over a hundred strippers were charged with nudity for removing their G-strings, but the attorney general did not sign the orders.“ Among those exotic dancers well may have been Montreal’s one and only Rina Berti, „the singing stripper who is still talked about in Miami Beach and farther“, though her website doesn’t reveal any information about her former avocation. Sadly, the website also doesn’t tell about her musical outings, among them the French-Canadian cover of the Bee Gees’ 1977 club smasher Stayin’ Alive and a red-hot menopausal disco version of Light My Fire, both proving all-too-well that there are few differences between pop and burlesque shows, surely related art forms traditionally announced in the same mode: Bonsoir tout le monde, ce soir chez FS je vous veux presenter la belle Rina!

Rina Berti – Viens dans mes rêves
Rina Berti – Light My Fire

Bâtard Pop XXI: In Bed with Bonnie

Mash-up time again: On I’m in Love with Jane Birkin, a skateboarder and bootleg artist hiding behind the moniker B.A.R.T.O. & His Pop Orchestra fuses Serge & Jane’s immortal cunnilingual dialogue with Beres Hammond’s reggae tune I’m in Love – a daring, but smoothly executed operation. Another Gainsbourg aficionado is Nantes-based dancefloor entrepreneur and DJ John Poincarré: his amalgam of Serge’s Bonnie & Clyde (pic: Brigitte B. as Bonnie) and the Beastie Boys’ hiphop classic Body Movin’ feels like a first-class pas de deux, gangsta-style.

B.A.R.T.O. & His Pop Orchestra – I’m in Love with Jane Birkin
John Poincarré  – Bonnie’s Body Movin’

FS Rerun: Clare Torry

„I think she only did one take. And we all said, ‚Wow, that’s that done. Here’s your sixty quid’“, Roger Waters remembered quite ungentlemanlike about Clare Torry, the sadly unsung chanteuse who did the orgasmic wordless vocals on Pink Floyd’s The Great Gig in the Sky – arguably the best song on 1973’s Dark Side of the Moon. Soon after Clare was hired to do background vocals for Serge G., as well on the acridly funny Rock Around the Bunker as on L’homme à tête de chou, his histoire maudit of a sadistic murderer, including Ma Lou Marilou, with Clare adding a few moments of big-eyed innocence to Serge’s half-erection porn funk.

Serge Gainsbourg w/ Clare Torry – Ma Lou Marilou
Serge Gainsbourg w/ Clare Torry – Eva

Pink Floyd feat. Clare Torry– The Great Gig in the Sky

Clémence Poésy

French actress Clémence Poésy sings a duet with Miles Kane on his just released solo-album. You might know Miles from Last Shadow Puppets (their album cover is so gorgeous) and The Rascals. Clémence is of course in the Harry Potter movies, 127 Hours and In Bruges. If you see this video of them doing the song (in English) together, you migth think they’re long time friends. They are not, Miles had not  heard from Clémence prior to this duet. Someone from the record company met the actress in Paris, said Miles was looking for a singer and askes if she was up for it. Kane’s reaction: ‘You stupid prick!‘. But it all turned out well. In some reviews, the song is compared to Serge-and-Jane-duets. Hmm.

Miles Kane & Clémence Poésy – Happenstance