RIP Sylvia Robinson

Sylvia Robinson passed away today. In her honour, and ’cause it’s such a brilliant version, here’s a re-up of Sky’s post about Sylvia’s cover of Je t’aime…moi non plus.

In the so-called 1972 porn classic Deep Throat, a notably sleazoid threesome featuring Dolly Sharp, Jack Byron and Jack Birch is scored with a delirious funk/ soul track titled Love is Strange. The original version was recorded in 1957 by r&b duo Mickey & Sylvia – i.e. Mickey Baker, the hottest session guitarist of his time, who eventually bought a ticket to France and never came back, and Sylvia Robinson, who at least went temporarily to the Paris of her mind.

In 1973, she recorded a cover of Serge & Jane’s Je t’aime, released on the aptly named Vibration label, transferring Gainsbourg’s spirit to the sultry mood of Spanish language moanings. Her partner in cooing was salsa singer Ralfi Pagan, who provided the Latin lover feel, while Sylvia seemed to practice for her smash hit of the same year, Pillow Talk, a premier bedroom anthem foreshadowing Donna Summer’s disco orgasms. In short: Soul Je t’aime wasn’t perfect, but a sexy mother of a song.

Jack Birch, the stud from „Deep Throat“, became father of Hollywood star Thora Birch („American Beauty“). Ralfi Pagan was murdered during a tour in Colombia, while Sylvia founded Sugarhill Records in the early 80s, becoming the mastermind behind seminal pre-hiphop outings like the Sugarhill Gang’s Rapper’s Delight: She even played bass on the recording.

Mickey & Sylvia – Love is Strange

Sylvia Robinson & Ralfi Pagan – Soul Je t’aime

Sylvia Robinson – Pillow Talk

Isabelle Boulay

No, Benjamin Biolay did not write Isabelle Boulay’s Fin Octobre, début Novembre, but he sure sat on the producers chair (see here and here). He produced Boulay’s new album (out Nov 8), this is the first single. Now, when it comes to Isa, there’s always some reservation. Yes, she’s absolutely gorgeous. Yes, she has a fine voice. But her songs border on bland, mainstream territory. Be that as it may, I  loved Chanson pour les mois d’hiver, I loved her duet with Julien Clerc, I can name more than a handful of other great songs by Isa. Fin Octobre, nothing wrong with that one either. Dutch biologist and writer Midas Dekkers wrote an ode to redheads, wonder if he knows Isabelle and what he thinks of her.

Isabelle Boulay – Fin Octobre, début Novembre

The Spinshots

Now there’s a smoking albumcover, innit? It gets hotter when you unfold it – there’s singer Flora Dolores with all her best diva-features in full display (yet clothed). The Spinshots, you know this band from Amsterdam. They’re regular guests on this blog ever since they decided to record one of their tracks in French (this one). They contributed to Gainsnord (this track). And now they’re releasing their debut album. On vinyl, of course. They play ‘neo-exotica’, they draw from everything between Bollywood showtunes to Ethio-jazz to French yeye. This Saturday, they’re hosting a big releaseparty here. Unable to join the fun? Keep watching their website for all the news.

Claire Keim

That other Claire that we love here at FS HQ, Claire Keim, released a new version of Mes silences this week. To me it sounds a little Lara Fabian’ed, if you ask me. There’s was little to nothing wrong with the original version (not a very good link, alas). Still, this is an opportunity to post a nice pic of Claire Keim, one should never miss that.

Claire Keim – Mes silences (nouvelle version)

In other news, listen to Beatrice/Coeur de Pirate talk in English about her new single Adieu (this one) HERE

Claire!

Yes, we are partisan. Always were, in the six year this blog exists. You all know we have our prefered sweethearts. we’re on first name basis with ‘m: Camille, Charlotte, Beatrice (Coeur de Pirate), Coralie, Vanessa. And Claire. And because Claire has a new album, it is a happy day at Fillessourires. Us and Claire, it started in 2008 and continued in 2009 when her first, self-titled album came out.
And now there is a new album “Vagabonde”. Earlier this year we could see Claire has grown (duh!), as she showed in the catchy “Bang bang bang” (released on an EP in May) and in some sessions she did this year, like this one where she covers Big Mama Thornton.

And now there is “Vagabonde”. She continues to be our Claire, but she is older, more mature. It is clear that she’s studied the musical history, especially Americana (she lived in America, you know). The whole album sounds like an Americana album, sung in French, with “our” Claire’s husky voice, like in the new single “Rien de Moi” (also on the EP).
Was “Bang Bang Bang” a potential summer hit, the rest of the album is perfect for the upcoming autumn. No wait, autumn started already in July. With old whiskeys and/or good red wines and fireplaces…
For a teaser I decided to pick “34 Septembre” because that is a new song and it is in two weeks from now. Welcome Back, Claire!

Claire Denamur – 34 Septembre

Le Couleur

Le Couleur is a Montreal-based quartet, fronted by the lovely Laurence (who has Vietnamese roots). Their music refers mostly to Stereolab, but they’re not afraid to add some kitschy (poppy, if you like) elements as well. Which is good. Listen to Billet pour Paris, for instance. Their album (and singles) are downloadable for FREE on their Bandcamp-page, HERE.

Le Couleur – Billet pour Paris

Six Years of Filles Sourires

Six years ago, I started writing about girls, singing in French. Making me sigh. In the past years, I also wrote about guys, singing in French. Serge Gainsbourg especially. I posted songs in various languages. I got help from Maks, Sky and FransS. I interviewed several of my heroes and heroines. Among them: Charlotte Gainsbourg. I interviewed her twice (third time coming up!), the first time in a posh hotel in Paris. Halfway through the interview, she slid from the couch and sat at my feet for the rest of the time. I know I kept on with the interview, because the questions were recorded on my device but I have no recollection asking them. I brushed past her in an Amsterdam hotel, when she was a secret guest at an Air-concert. I did not recognise her at first, but I was immediatly mesmerized when I saw her.
This compilation (also made for EHPO and Perfect Alles, cover was made by Wilbert) is my ode to an actress who interprets songs like they’re scenarios. Who gets help from big guns like Jarvis Cocker, Conor O’Brien and Beck, but has the ability to make a song her own. All songs are especially written for her, about her experiences, about her fears and of course inspired by her heritage. When Charlotte sighs, or whispers (like in Beauty Mark, one of the most beautiful songs she ever recorded), I start glowing. It’s not sexual (well, maybe a little), it’s out of pure contentment.
Thanks for all your visits, comments, suggestions, songs, guestposts etcaetera. Here’s to another six years.

Download from HERE, listen on Spotify HERE

Gérard Lenorman & Zaz

Gérard Lenorman is one of the big guns from the seventies, on par with Julien Clerc, Yves Duteil and J-J Goldman. He released his last original album in 2000, after that it was just live-albums and compilations. It was just a matter of time until a duets-album saw the light of day, and now there is one. Featuring youngsters like Joyce Jonathan, Gregoire and Anggun and older artists like Roch Voisine and Maurane. Shame that no one thought of Pépé et sa guitare, who rockified two Lenorman-classics a few years back (here). Instead, we get risk-free, close-to-the-original versions. Not bad (like his duets with Jonathan an Gregoire), sometimes amusing (Si j’étais président is gipsy-fied, interesting choice if you think of the political situation of the Roma in France, shame they needed a cheapo housebeat too), sometimes too cheesy (duets with Shy’m and Anggun). My fave is the one with Zaz. Nothing new here, still as upbeat as the original.

See Gérard and his guests in this teaser-video.

Gérard Lenorman & Zaz – La ballade des gens heureux