Under the Radar 6: Jasmin Tabatabai

Germany’s adult pop fashion of the hour is the coffee table recycling of songs from the 20s to 40s – think Tukur, think Alsmann, and German actress Jasmin Tabatabai makes no exception. On her recent album Eine Frau, released last September, she covers songs by Hollaender, Tucholsky and others, all cushily bossa- or jazzified – by and large what Diana Krall or Norah Jones do, with less production value. Probably for reasons de chic, her lieder album also contains a French composition, La chanson d’Hélène, originally written by Philippe Sarde and Jean-Loup Dabadie for the 1970 movie Les choses de la vie. While the rest of Tabatabai’s album sounds, well, somewhat menopausal, her version of Hélène isn’t even that bad – just as clean and empty as a tumbler from a desolate dishwasher.

Jasmin Tabatabai – La chanson d’Hélène

Extra: Romy Schneider’s classic film chanson (w/ Michel Piccoli), plus a bunch of other worthwhile versions, including an English language one.

Romy Schneider – La chanson d’Hélène
Marina Celeste – La chanson d’Hélène
Francoiz Breut – La chanson d’Hélène
Berry – La chanson d’Hélène
Youn Sun Nah – La chanson d’Hélène
Dream Makers – Helen’s Song

Under the Radar 3: Aldona

Polish singer and actress Aldona Nowowiejska lives à Paris and amalgamates folklore sounds from Eastern Europe with French flourish. The result is a peculiar, at times brill mix you won’t hear too often on pop radio. Her fourth album, Sonnet, features one French language song only – A Murmur, a breathless, tenderly boisterous vignette that seems to reflect the mood of the red-skirted girl on the cover and sounds like a less affected Camille exchanging butterfly kisses with Django’s grand grandson. Don’t miss the last whisper.

Aldona – A Murmur

Under the Radar 2: Cécile Corbel

Folk singer and celtic harpist Cécile Corbel comes from the department Finistère in the extreme West of Brittany, and she’s a bit like a fille fragile from another, more mystic and elegant time. On her Songbook Vol. 3: Renaissance she transforms Alan Stivell’s solemn, originally a bit leaden ballad about Irish High King Brian Boru into a floating incantation of her home country, and on La belle s’est endormie, she fuses a French traditional with chamber music strings. Her fairy style vocals fit the courtly character of the tunes quite perfectly; everything here feels like a breeze from the End of the World – and that’s exactly what Finistère means.

Cécile Corbel – Brian Boru

Cécile Corbel – La belle s’est endormie

 

Under the Radar 1: Céline Rudolph

„Summer rain in Paris, and the cool sound of Miles Davis“ – German chanteuse Céline Rudolph certainly is no literary virtuoso, but who cares for lyrics anyway? Her most recent album gathers 11 songs by the late Henri Salvador, kind of a Gallic Nat King Cole jack-of-all-trades who did all too many ditties for a fistful of Francs. Frau Rudolph catapults Salvador directly into the feelgood realm of her favorite women’s magazines, with the help of some Brazilian players who obviously think that Saudade is a new brand of fabric softener – registered trademark of the Snuggly Products Corporation, with guaranteed 14 days of fresh scent. Only my ill-mannered three-year-old nephew says it stinks.

Céline Rudolph – Wintergarten

The other side of soft, slightly funkified, from Henri Salvador’s Chante Vian album:

Henri Salvador – Ave Maria des pêcheurs

Brazilian Waxing, French Style

Admittedly, 2011 not only had trouvailles up its sleeve, but some serious bummers. Though I’m not talking Götz the Molester or any other of the obvious candidates here, but the real disappointments, letdowns, failures and fiascos. So here’s a Woeful Orgy of Rubbishy STuff, in short: the Worst List with the year’s albums to get over with.

01. Lulu Gainsbourg, Jazz EP. Many sons have problems with their famous fathers, and Lulu takes revenge, grand-style. Especially merciless: his Brazilian Waxing of La Javanaise. Charlotte, Bambou, and Jane decided not to take part in his first full-length album. I have an idea why.

02. Keren Ann, 101. Or how the Empress of Melancholia transformed into some wilted vegetable. The feel of the album might be Heroin Chic, as a friend of mine put it, but its bigger problem is its paralysis. You’ll easily find more vision, motion and emotion in an IKEA rack.

03. Charlotte Gainsbourg, Stage Whispers. A mix of unassuming synth and trance ditties from the IRM sessions and a bunch of live material downers, this is one unbalanced, monotonous, boring mess. Turkey on top: a most direful cover of Dylan’s Just Like a Woman.

04. Camille, Ilo Veyou. If you thought Camille’s previous vocal acrobatics were show-offy, you haven’t listened to Ilo Veyou yet. And you should, in case you like a chanteuse permanently yelling „I am an artist!“ in your ears. If not, you might regard this one as an atrocity.

05. Ödland, Sankta Lucia. The times they are a-changin’: Two years ago, Ödland’s surrealist antique pop concept was fresh, different and dreamlike. Now it suffers from the deadly more-of-the-same illness, the priggish Slumberland attitude and Alizée B’s arthouse lolita character. This one sucks.

Extra:

06. Coeur de Pirate, Blonde. The full-body tattooed Golden Baby of the year with a competently produced, but quite unengaging album full of sugarcandy darling ballads – music to burn off your thumb to with your Bic lighter. Caution: Many people did so at Al Bano & Romina Power concerts.

Superbien 2011 Yearlist

No, this ain’t the yearlist to end all yearlists. Actually, it was quite an interesting year, full of sleepers, slumbersome French kisses and somnolent earworms. In short, a year to wake up. It was called 2011. So, eleven for a year to remember. There you are:

11. Daphné, Moi plus vouloir dormir seule. I can’t recall any other tune from her Bleu Venise album, but you won’t get more eternity for your money.

10. DJ Le Clown, Making Plans for Houston. Not from 2011, I think, but a premier mashup hooker of a song. Sadly, the YT video meanwhile was banned due to sexual content. Serge vs. Whitney vs. XTC. Jan Willem commented: „Houston, we have a problem.“

09. Marie-Pierre Arthur, Pourquoi. The Quebec No. 1 indie smash hit that never was. Poptastic one, and Marie-Pierre’s not even my type. See also Buck 65 below.

Video here.

08. Vaea Sylvain/ François de Roubaix, Mareva. A song from the Mid-60s I’ve listened to a thousand times this year, and not available on the net. I met Vaea Sylvain in November in Paris, and it’s a long story. Maybe I’ll tell you some day. Maybe.

07. Nous Non Plus, Bunga Bunga. Album: Freudian Slip. The best intertextual popster band since Dutch Gruppo Sportivo in the 80s, this time with an irresistible hommage to Silvio, Imperator of the Italian Orgy.

Video here.

06. Slove, Carte Postale. Electro isn’t dead. The singer’s name is Sarah Krebs, and for 3:20 min, you can have sex, not with her, of course, but with this tune. It feels exactly like she says: „Superbien.“

05. Benjamin Biolay, Le Bonheur, Mon Cul. The album was, erm, shitty, but this is Biolay’s metamorphosis into God, and that God is fat, sweaty, sleazy, and burns up 1000 rubbers per night. Best chanson title of the year. God’s name is Barry White, for sure.

04. L, Initiale. Mademoiselle Mélo on the boulevard of broken lolitas and bohemiens, and undoubtedly the most consistent French album of the year.

03. Buck 65, Tears of My Heart. Le Nouveau Western meets Piaf and Gréco in Buck 65’s supreme collaboration with lovely Olivia Ruiz. Yo, big one. Album also features Marie-Pierre Arthur, see entry no. 9.

02. Siobhan Wilson, La Javanaise. Her 2010 debut already featured Brel’s Voir un ami pleurer, and except for Serge’s emissions avant-prèmieres version, there has been no better version of La Javanaise in fifty years.

01. La Femme, Sur la Planche. It didn’t get more hypnotic, more sexy, more sonic or more convincing in 2011, and the Biarritz-based band – a cross between the B-52’s and a knife sharpener – isn’t even signed yet. They call that sound Tropical Wave, but its other name is Retro Heaven. And that (see left) was the cover.

Supersexy Motherfuckin’

An R&B vocal band with a highly complicated history, The Moments (also known as Ray, Goodman & Brown) formed in Hackensack, New Jersey in the mid-60s, signed shortly after to Sylvia Robinson’s Stang label and had their breakthrough smash hit with Love on a Two-Way Street which hit #1 in 1970. In the mid-70s, they established themselves as masters of first class satin sheets soul, with Look at Me (I’m in Love) – being sexy motherfuckers long before the time when The Artist formerly known as Prince used the term for them Eighties chicks. In 1973, they joined forces with the lesser known Baltimore R&B entrepreneurs The Whatnauts for the all-time classic Girls. The song was only a minor hit in the U.S., but a huge success all over Europe then – that’s why they also did a Gallic version, French smoothie style.

Moments – Look at Me

Moments – Look at Me (Version française)

Moments & Whatnauts – Girls

Moments & Whatnauts – Girls (Version française)

FS Vintage: Léo Marjane

Obviously she’s still alive, 99 years old – she’s even got a Facebook page. In the late 30s and during the first half of the 40s, Léo Marjane was one of the biggest songbirds in France, with her sultry and somewhat forlorn voice that enriched great songs like Seule ce soir, a tune credited to Charles Trenet everywhere but actually written by Paul Jules Durand; don’t trust the internet. The role model of La Piaf, Marjane fell from grace abruptly after the Liberation of France in August 1944, having performed a little bit too enthusiastically at cabarets and dancing halls frequented by Wehrmacht soldiers and the SS. The applause of the wrong guys catapulted her into the abyss of oblivion, but as we all know, every abyss has an echo: Rarely it sounds as sweet as in Seule ce soir, and surely in Léo’s Gallic version of the all-time classic September in the Rain.

Léo Marjane – Seule ce soir
Léo Marjane – En Septembre dans la pluie

La Japonaise

You can hear a quite classy accordion player above, as well as a grande dame de la chanson, plus … Leslie Feist simultaneously impersonating Jane Birkin and German 80s airhead Nena: a cutting-edge mixture indeed, with Serge’s lyrics heading straight to Fukushima.

Covers Deluxe: Stax, No Motown

Few people remember him, but from the early 70s to the mid-80s, Michel Stax was, well, maybe not a household name, but a regular guest at Québécois clubs and venues, including bell-bottoms and that certain haircut my elder sister found so irresistible then. He almost exclusively did cover versions of other huge hits, among them Moustaki’s Milord and the French version of Hurricane Smith’s Oh Babe, What Would You Say, before he turned David Lee Roth’s men’s room take on Just a Gigolo into an outlandishly phony fairground number in 1985; his last hit, and one for the catalogue of camp, revised edition. 12 years earlier, he had covered Al Kooper’s miniature opera I Can’t Quit Her in a quite futuristic adaptation – my elder sister still claims that the karaoke machine wasn’t invented then.

Michel Stax – Car je t’aime