Fusée Dorée

Guestpost! Natasha on Emmanuelle, aka Fusée Dorée:

After a good one woman performance on 17 June 2011 in Amsterdam for the quarter final in the singer-songwriter category of the Grote Prijs van Nederland, a Dutch music award, Emmanuelle Ornon aka Fusée Dorée, French but living in Amsterdam, is putting out her first two singles “Un rendez-vous/ La carte” on Amsterdam-Detroit based label, Cherry Juice Recordings. Says Ornon: “A couple of years ago, I was playing around with my loop machine, putting music to French poems for a performance at the French Institute in Amsterdam. And it felt good, experimenting with vocals and minimal guitars and beats. So I haven’t stop playing, and songs have popped up and grown, and now there’s a whole family of them.”

Fusée writes her own lyrics in both French and English and works with other musicians such as Mario Ramirez, a fellow musician from band Children SuMadre who played bass on a few songs, while Ian Holchaker and Max Koedijk cooked up some additional beats. Her voice has just been featured on CRJ’s digital release “Quelle importance”, performed by Japanese house artist and DJ Motomitsu.

Speaking of which, not only will Motomitsu be in town on Saturday 25 June to be part of the live performance of Fusée Dorée at De Nieuwe Anita in Amsterdam (hint: her new single is seriously electro and trip hop), Oh La La’s Natashka has rounded up DJ Laurent Chambon and DJs Cowboy & Henk for an evening of high energy French music inspired by Fusée Dorée called GOLD.

Fusée Dorée – Twinkle
Fusée Dorée – Mes amants

Benjamin Biolay

Benjamin Biolay acted before, in this film for instance, now he’s the leading men in Pourqoui tu pleures. Directed en written by Katia Lewkowicz, it’s a film about a groom getting cold feet. I haven’t seen the movie, but from what I read so far, I think this Variety-review hits the nail on the head: ‘a name cast indulging in plenty of French-style rude behavior, this not-particularly-amusing comedy of (bad) manners centered on a group of unsympathetic characters seems destined for niche domestic audiences, and is unlikely to translate in non-French lingo countries’. Biolay wrote an  album with songs used in the film, and inspired by the screenplay. It features a duet with co-star Emmanuelle Devos, and solo’s by other stars Sarah Adler and Anna Zimmer. This album comes hot on the heels of BB’s masterpiece La Superbe, in comparison this soundtrack isn’t as strong (no surprise there). There are a few solid songs, like the Barry White-styled Le Bonheur, Mon Cul and the Devos-duet. Music-wise not a highpoint in BBs career.

Benjamin Biolay & Emmanuelle Devos – Pourqoui tu pleures

Hanna

Best Lio-ripoff I heard in months, is Anti-Moi by Hanna. Her EP was released via MyMajorCompany, the crowdfunded label and home of Joyce Jonathan and Gregoire. Anti-moi isn’t the single, that’s Et si (clip). The EP has some promising moments, but is way to fluffy to really make a lasting impression.

Hanna – Anti-moi

Claudia Soccio

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EDIT: This video was re-linked. The song is used in the Dutch documentary Ne Me Quitte Pas, and yes, it’s a deliberate soundalike of Francoise Hardy’s Le Temps de L’Amour. As I remember it, in the cinema, you’d hear Le Temps de L’Amour, but when the documentary was shown on tv, they could not get (or want to pay for) the track, so they made a soundalike. Responsible for that is Pascal DeWeze, he of Metal Molly-fame (great Belgian band from the 90s).

Clémence Poésy

French actress Clémence Poésy sings a duet with Miles Kane on his just released solo-album. You might know Miles from Last Shadow Puppets (their album cover is so gorgeous) and The Rascals. Clémence is of course in the Harry Potter movies, 127 Hours and In Bruges. If you see this video of them doing the song (in English) together, you migth think they’re long time friends. They are not, Miles had not  heard from Clémence prior to this duet. Someone from the record company met the actress in Paris, said Miles was looking for a singer and askes if she was up for it. Kane’s reaction: ‘You stupid prick!‘. But it all turned out well. In some reviews, the song is compared to Serge-and-Jane-duets. Hmm.

Miles Kane & Clémence Poésy – Happenstance

Brigitte Fontaine & Emmanuelle Seigner

Can we agree on saying that Brigitte Fontaine is an acquired taste? The grande dame of the odd chanson started her career in 1965, sang traditional chansons but made things more interesting for herself by working with The Art Ensemble of Chicago, Jacques Higelin, Sonic Youth, Stereolab and a whole lot more. She’s in her 70s now, but does not tone down. ‘I am God’s nightmare’, she, erm, ‘sings’ on her most recent offering, the duet-stuffed L’un n’empêche pas l’autre. Her partners have, just like her, instantly recognisable voices, like Arno Hintjens (great track!), Grace Jones (they do an Arab rework of the jazz-standard Caravan together), Higelin of course, M(athieu Chedid), Christophe, Bertrand Cantat and Emmanuelle Seigner. You can see what she made Mrs Polanski do for her track in the video above. Acquiring from the top of your lungs, yessir.

Brigitte Fontaine & Emmanuelle Seigner – Dressing

 

Dutch Dolls

Without Mordi and his fabulous Blowupdoll-blog, my own blog would’ve never existed. Blowupdoll is the blisteringly beautiful mother of all blogs dedicated to singing girls. So it was a huge honour when Mordi asked me to put together a mix-tape with my favourite ‘dolls’. I chose only Dutch meisjes, singing in Dutch, English, French and even German. My tape, and a lot of other fantastic zips with gorgeous girls, can be found HERE. Pictured is, of course, Mariska Veres of Shocking Blue. You can hear her marvellous voice on two songs on my ‘tape’.

Claire Denamur

First there was Dingue Dingue Dingue. Then there was Non Non Non. And now we have Bang Bang Bang. All good things come in threes. And Claire Denamur is a very, very, very good thing. The singer with Dutch, Argentinian and French roots blipped on our radar in 2009. Her first album still is a gem, and from the sounds of it, the sophomore cd will be too. On the just-released EP are four songs, the aforementioned summer hit, two ballads and a very nice rendition of Nine Inch Nails’ Hurt, inna Johnny Cash-stylee. Is it a coincidence that the best contender for French summer hit is this track? I think not.

Claire Denamur – Bang Bang Bang