Un uomo di 76 anni

paolo_conteSmoke a dozen packages of Morte Sicuro per day, and maybe you’ll sound like Italian cantautore Paolo Conte someday. The former lawyer with the gravelly voice wrote Italy’s not-all-too secret national anthem Azzurro in 1968 for Adriano Celentano, before he became a superstar himself with Gelato al limon and, of course, Via con me (»s’wonderful, good luck, my babe«) in the early Eighties, combining jazz and cabaret style with melanconia, eleganza, senso and disinvoltura. Occasionally, Conte also sings in French, as on his 2010 album Nelson – a true padrone of chanson.

Paolo Conte w/ Laura Conti – C’est beau
Paolo Conte – Enfant prodige

Lui et Léa

lealui

»It’s the whim of a spoiled kid.« French writer Frédéric Beigbeder (»Mémoires d’un jeune homme dérangé«, »99 francs«) is editorial director of the freshly relaunched LUI, the unmistakably Parisian pendant to Playboy and »Le magazine de l’homme moderne«, as it was called way back in the 60s to 80s. Then, they had Romy Schneider, Mireille Darc, Sylvia Kristel or Jane Birkin. Now, the brand new first volume of the mag, offered for the dumping price of 2,90 Euros, features actress Léa Seydoux, along with a lot of worthwhile reading. And Beigbeder has a new byname you’ve already guessed: L’homme qui amait des femmes.

Cocoboy – La Playmate de Samedi Soir

Alexander von Mehren

imagesRemember Tricatel, Bertrand Burgalat’s label? The technicolorized music on this label is the best reference, I’d say, to Alexander von Mehren’s music. From his bio: “Alexander von Mehren is a 29 years old pianist, songwriter and producer from Bergen, Norway. He started playing the piano at the age of four and began receiving classical piano lessons when he turned seven. During his ten years of classical training, von Mehren gradually developed an interest in alternative music and started writing his own compositions, especially inspired by French, German, Italian and British library music, 60s/70s soundtracks, alternative pop à la Stereolab and The High Llamas and the Chicago-based post-rock scene.”
One of the top tracks on AvM’s album is Champs-Elysées. I’m not sure who the girl is that Alex is duetting with, he did not respond to my tweeted question. An educated guess says it’s Nathalie Nordnes. See here.
UPDATE: Alexander did respond and yes, it’s Nathalie. See here

Alexander von Mehren – Champs-Elysées

Riff Cohen

Riff CohenGilad SasportaOriental trash pop. Les Calamités, bellydancing. Keren Ann with a mohawk. If your curiosity is tickled by these descriptions, be sure to try Riff Cohen‘s blend of fuzz-drenched, French tales of 1001 Night. She’s from Israel, studied music in Paris and is very proud of her Tunesian roots. Her album’s just out, I missed out on her first single, A Paris earlier. Shame. Riff’s voice is highly charming, her songwriting’s a bit naive or, one could say, close to 60s YeYe. Most songs on Riff’s album are in French, some in Hebrew, other in Arabic. At times, I thought back to Sapho, the Moroccan-French singer who also blended North-African influences with French-oriented pop in the 80s and 90s.
I’m expecting that, because of Riff’s exciting mix of styles and her looks, she could do well outside of France.

Interview in Haaretz HERE. Another nice interview HERE. Video for J’aime HERE

Mélodie française

melodieAustralian bands covering French classics, wrote a post about Mélodie Française on this blog earlier . Thanks to FS-reader Marjorie, I got the full album. It’s not bad, not bad at all. Sure, the Aussies sing French with an accent, but I’ve heard worse. Big Scary do a great version of Je t’aime… changing the notes a little but keeping the right atmosphere. So does Kate Miller-Heidke in her version of Hardy’s Il n’ya pas d’amour heureux. Soko backing up The Walking Who in an echo-heavy Mini, Mini, Mini (orig. by Dutronc) is cool, the odd one out is a French version of Nancy Sinatra’s Bang Bang. Icing on the cake is The Jezabels version of Morgane de toi (‘Madly in love’), a song by Renaud. I’m not that familiair with Renaud’s body of work, Morgane… surely is a modern classic with a very distinct guitar melody. The Jezabels add sexiness to an already explicit song, in my book a great achievement. I don’t know if Melodie Francaise is available outside of Australia, but it’s worth tracking down.

The Jezabels – Morgane de toi

Mood Vibrations

lottchTraveling Birds is the second album by Swiss-Belgian duo Lottchen, jazz singer Eva Buchmann & vibraphonist Sonja Huber (plays marimba, too), oscillating between super laid-back poise and fluffy end-of-summer dreamscapes. Though off and on a bit too artsy for their own good, there’s undoubtedly a master touch to feel here. Lottchen’s version of Camille’s Quand je marche effortlessly beats the pants off the chichi original, and the album’s opener, a spellbinding interpretation of Antonio Carlos Jobim’s classic Waters of March, is nothing but pure class. And, gee, that’s some cool egg shaker at the end of the song.

Lottchen – Quand je marche
Lottchen – Waters of March

Honky Tonk Serge

A lot of red dust swirling in the air while you’re riding into Redemption, TX, pop. 234. Actually feels like a ghost town, but some nutty old timer points his finger to the saloon, as if you hadn’t heard the tinkling in the breeze. Sergio Gainsborough is playin’ the friggin’ black and whites again, and it sounds like you’ve been knowing each other for a goddamn hundred years.
Kudos to mel-rockabilly, whoever she is.

Twang!

Rockabilly from Switzerland with a Serge twist? Check out Hillbilly Moon Explosion from Zurich with a sexy version of Gainsbourg’s Chick Habit a.k.a. Laisse Tomber Les Filles, originally composed for France Gall. Video garnished with some pics feat. Betty P.  – parental guidance recommended.

EXTRA: Hillbilly Moon do a mean version of Poupée de cire as well. HERE

Juliette Gréco

Mark is spoiling us with lots of great, newly discovered links of performances by Juliette Gréco:
juliette_greco
A reissue of Juliette Gréco’s Mini-Recital Télévisée of 1977 has reached the internet – a 6 song special, HERE. Juliette Gréco présente : Mon Fils Chante, Fleur D’Orange, Le Mal Du Temps, L’Embellie, Donne-Moi, La Chanson Des Vieux Amants. Songs 1, 2, 3 and 5 are lip-synched; 4 and 6 are live with mike and piano accompaniment, by Gérard Jouannest , later JG’s third husband.

Especially in ‘L’Embellie’ (commences at 6m25s) there are some classic Gréco body-language and hand movements.

Enjoyable too is her performance of ‘Non, Monsieur, je n’ai pas vingt ans’ in 1980, when she was 52, introduced by a most respectful Julio Iglesias, HERE
The lyrics to this hit are HERE with a 1977 version, from German TV ZDF.
She was just as good at Strasbourg ten years later in 1987, in her 60th year, HERE.
The film is less good quality, but the performance impeccable: ‘Paris-canaille’, ‘J’arrive’

To come up to date, here is Gréco at Toulouse in January 2013 with Jouannest at the piano (fine instrumental introduction of 2 minutes to start) – aged 85. ‘Vivre’, HERE, and Leo Ferré’s ‘Avec le temps’, HERE.

An earlier treasure is this black-and-white Italian TV film made by RAI in 1966, now restored for the internet HERE.
A 6 minute medley, with parts of ‘Sous le ciel de Paris’, ‘Les feuilles mortes’ , ‘Jolie Môme’, ‘Si tu t’imagine’, and ‘Paris-canaille’.