New single by one of the most promising names in French music. Cool song:
New single by one of the most promising names in French music. Cool song:

Swiss post-punk sweetness. Second time this duo (who release their music on Dutch label Knekelhuis) is featured here. Their new album ‘No Land’ has a strong Elli & Jacno influence (even Liberation thought so, see here), because Lou Savary sounds a lot like Elli Medeiros, and the music is a combination of synths and guitars. Honeymoon Killers, are also a reference. But Reymour are no copycats, they create their own weird little world, singing about ‘life’s passages through mist and clearings, delving deep into their innermost selves and emotions.’ Try this catchy track:
Never knew that ‘Quiterie’ was a common first name, I thought it was a play on ‘quitting’ or something. But researching Quiterie Goineau’s musical output, I found out that there are more Quiterie’s out there. But let’s focus on Goineau, who made an EP in 2022 with English and French songs, and has a new single out with a pulsating beat, angelic choir singing and her young, yet commandeering voice. Les Anges Fredonnait (The Humming Angels) is a short song, that leaves you wanting more. On her Instagram, she posted a clip of her dad, driving a red sports car. And she adds: ‘Je t’aime pour l’éternité mon ange’, which probably means that this track is an ode to her dad, and very emotional to sing.
Quiterie and her musical companion Matthieu Perrin are inspired (according to this playlist) by Lana del Rey, Beach House and Christine & the Queens, which is nice.
New album coming up! Less disco-influences on the new single, but that driving bass is still present:

‘Toi’ by Isobel Campbell is the French version of ‘You’, from her latest album (released last June). Isobel writes on her Instagram: ‘I finished writing this song on 22/02/22. The day of Mark Lanegan, my singing partner’s, untimely passing. I’d been listening to ‘Anthem’ by Leonard Cohen on repeat, it was the strangest of days. Over the years we’d bonded so much over the work of Leonard Cohen. I still cry when I hear ‘Anthem’ even now. To have written ‘Toi’ on this date is significant. It’s a mystical, sorrowful song, befitting such a day.’
‘Maintenant ou Jamais’, released earlier, is the French version of her song’Do or Die’.
Now this is an interesting combo. Dutch singer Merol, best known for her feminine and feminist dancetracks (example) is one of the guest vocalists on the new Jungle By Night album. This Amsterdam-based collective started out as afrobeat-heads, but quickly added various warm-blooded styles (and keyboards) to their mostly instrumental repertoire. I’m a fan, ever since their first vinyl single came out. I never, NEVER, imagined they would ever pop-up on this blog, but Merol cooing in French over a pink plushy JBN-groove…well, here we are:

Canadian bassplayer and singer Marie-Pierre Arthur was first featured on this blog in 2009 (see?), back then we gushed about gothic touches and Eno-esque soundscapes. Later, we talked about ‘angelic moods’ and nods to 70s glamrock (here). Pop from the seventies was, and is still an influence on MPA, as her newest Album Bleu sonically shows. This soft rock beauty is a strong example:
But MPA isn’t just looking back. This fantastic groove is a NOW song, with (dare we say it, yes we do) African touches:
A name we hold high and very dearly on this blog, the wonderful Emily Loizeau. This is her new single:
Quick, quick, before summer is over: