Daphné

  • Posted on 03/02/2011
  • /Under Musique

First the green, then de red, now the blue: blackhaired beauty Daphné keeps her albums colour-coordinated. Bleu Venise is as sensual as earlier work, but more intimate. No big orchestras, world-class arranger Vince Mendoza kept it calm. More focus on the melancholy in D’s unsteady, husky voice, more jazzy-vibes. Think Norah Jones’ first album. The album comes with a dvd that includes this video, and 1-minute clips for other songs. Shot in Venice, of course. Daphné is a beautiful woman, so it’s no punishment to watch the short clips. But it’s beyond me why you’d wanna put album-teasers on a dvd together with the album. We want full clips! Oh, and about the two English songs: they reminded me of Emilie Simon’s last album. But have no fear: songs like Venise sous la neige, the supersultry Moi plus vouloir dormir seule and closing track Hors temps make Bleu Venise a must-have.

Daphné – Hors temps

Heidelinde Weis

  • Posted on 31/01/2011
  • /Under Musique

You can just as easily make a sexy record in German as you can in French. We’ve proved that before, now let’s prove it again. I recently stumbled upon the first album of Austrian-born actress Heidelinde Weis, released in the 70s. From a biography: “The music world was quite amazed when in 1975 the first album from Heidelinde Weis was placed on the market. Extremely laid back, jazzy bossa nova took turns with slick 70s funk, and above it sizzling, lascivious vocals with often blatant erotic lyrics. This album wasn’t just a major commercial success, but also immediately received the German award from the Phonoakademie.” Weis appeared in several German ‘krimi’s’, like Derrick and Der Alte. With the description above in mind, you’d really wanna see this clip (skip to 00,25 sec). A selection of her albums was put together for this cd, I bought the 1975 debut on vinyl. That one features the song posted here.


Heidelinde Weis – Ich will dich

Juliette

  • Posted on 28/01/2011
  • /Under Musique

Juliette Nourredine is releasing records since 1992, but this is her first feature on this blog. Because she’s covering Gainsbourg. Juliette’s hardly a fragile fille, and her style is more reminiscent of old chanson which is probably why I never really paid attention. But her cover of Serge’s Les dessous chics is good. The song’s about the effect of jarretelles, stockings and other fine lingerie. What are they hiding, and why? Serge wrote it for Jane, she recorded it on her Baby Alone in Babylone album. He himself did a live-version on the Zénith album (that fake audience gets me every time). It was covered a few times, I really like the Daho-Birkin duet-version.

Juliette – Les dessous chics
Serge Gainsbourg – Les dessous chics
Jane Birkin – Les dessous chics
Etienne Daho & Jane Birkin – Les dessous chics
Diane Dufresne – Les dessous chics
Garou – Les desssous chics

In other, Gainsbourg-related news: Parisian rapper/producer Saneyes made a very fine rework of Serge’s Manon. Go HERE to listen and/or download.

Carly Sings

  • Posted on 27/01/2011
  • /Under Musique

Carly Blackman, the girl with the hazel eyes, kind of promised that on her next album she’d sing a few French songs. But if you go here, you can listen to the next album in progress. But no French songs. FransS, who provides me and you with great French music, filed an official complaint. And Carly gave in. She writes: “Hey your friend convinced me to send you this French song after lamenting the absence of any on my new demo album, on Soundcloud. So here is this demo i made, in 2009 called “J’ai Envie”. It was produced by Remi Alexandre, who plays guitar for the French band Syd Matters. And it was inspired by a famous songwriter who i cannot mention!” Now, who do you think that ‘famous songwriter’ is?

Carly Sings – J’ai envie

Ariane Brunet

  • Posted on 24/01/2011
  • /Under Musique

Canadian singers named Ariane, we have a thing for them here at FillesSourires. Ariane Brunet is 19 years old, started playing piano at the tender age of 8, started singing lessons a year later and won prizes at concours at 10. She has a very pleasant, sultry voice (bit like Emma Daumas and Coeur de Pirate) and has a thing for short skirts and pants. See for instance this (very out of focus) video of her singing a Boris Vian song. Or these pictures (flickr-link) of her album release party. The obvious single from her album is Dimanche (see video), but I like the sensual Bien avec toi more.

Ariane Brunet – Bien avec toi

La Fiancée

  • Posted on 22/01/2011
  • /Under Musique

Cover-albums. Usually a sign of artistic fatigue (like the double live album), but Claire La Fiancée is just starting. And because the songs on her first two EP’s (especially the first one, that ended high in the FS Yearlist in 2009; see here) were fresh and sensual, we believe her when Claire states that on Trois she’s covering the songs she loves, her way. Songs by Benjamin Biolay (Bien Avant), It’s Immaterial (Driving away from home, a duet with original singer John J. Campbell), The Zombies (Smokey Day, that now sounds like something Serge could’ve written for Jane in the 70s), Etienne Daho (Ouverture), Brigitte Bardot (Une histoire de plage, see Claire do a live version here) and Jil Caplan (Tout ce qui nous separé). Interesting choices, very nice result. She really gave the songs a La Fiancée makeover.

La Fiancée – Tout ce qui nous separé

The Mouth of Serge

  • Posted on 21/01/2011
  • /Under Video

Pietro Marcello’s movie La Bocca del Lupo, shown at the 2010 Berlin Film Festival, features the urban underbelly of Genua, rugged Italian individuals, the amore between a long-time con and a transsexual, and Serge’s L’eau à la bouche. Merci à Matthias.

Nicolas Comment

  • Posted on 21/01/2011
  • /Under Musique

Serge Gainsbourg, produced by Martin Hannett, of Joy Division-fame. An apt description of the songs on Nicolas Comment‘s second album, Nous Etions Dieu. That was actually produced by Marc Colling, of Nouvelle Vague-fame. Nicolas is a photographer too, several books with his works were published. See examples here. Where you also can read that he worked with Rodolphe Burger and Jacques Higelin, and that Comment made a book-plus-cd in 2008. See/listen to a track from that album here.  I listened to Nous Etions Dieu several times now. The Gainsbourg-influence is easy to spot, first song Je te veux sounds like a Melody Nelson-outtake. Closing song Comme d’une foret la hache is more in the Tête de chou-vain. First single and title track Nous étions Dieu is haunting, catchy, retro-chic song with a great video (posted that one earlier, here). L’Attendue is very strong too. Jerome Attal made a similar sounding album a few years back, he didn’t cross-over to non-French-speaking countries. But I can see Nicolas step over the border.

Nicolas Comment – Nous étions Dieu

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