Ben Mazué & Pauline Croze

Been a long time since we heard from Pauline Croze, the fragile girl with the fragile voice who sang FS-faves like T’es beau and Jeunesse affamée. She duets on the debut-album by Ben Mazué. Like, for instance, Betrand Belin and or Benjamin Paulin, he talk-sings, puts some humour in his lyrics and is influenced by rap music. See Ben play his single Confessions of a rap addict live here.

No news so far about a new album from Pauline (her website didn’t have an update since 2009), but it’s good to hear her again. I always think of Maria de Medeiros talk about blueberry pancakes in Pulp Fiction when I hear Pauline sing.
UPDATE: A new Pauline Croze-album is announced! End of this year, beginning of next year.

Ben Mazué & Pauline Croze – C’est léger

Chloé Lacasse

Montréal-based Chloé Lacasse sounds on her debut album like a cross between the tender ballads of Feist and the emotional outbursts of Marie-Pierre Arthur, with added fatback drums. She did the rounds like so many Canadian singers (various concours de la chanson, winning Francouverts this year), plays the piano and writes intelligent songs. This debut-album is released after two self-produced EP’s, and though you can hear what Chloé’s been listening to in the past years, she does have her own style. It’s rough round the edges, at times up to eleven (loud drums, piercing guitars), but she knows how to keep balance and, like in the song posted here, she can sound sweet as well. This is her single.

Chloe Lacasse – Pyromane

RIP Sylvia Robinson

Sylvia Robinson passed away today. In her honour, and ’cause it’s such a brilliant version, here’s a re-up of Sky’s post about Sylvia’s cover of Je t’aime…moi non plus.

In the so-called 1972 porn classic Deep Throat, a notably sleazoid threesome featuring Dolly Sharp, Jack Byron and Jack Birch is scored with a delirious funk/ soul track titled Love is Strange. The original version was recorded in 1957 by r&b duo Mickey & Sylvia – i.e. Mickey Baker, the hottest session guitarist of his time, who eventually bought a ticket to France and never came back, and Sylvia Robinson, who at least went temporarily to the Paris of her mind.

In 1973, she recorded a cover of Serge & Jane’s Je t’aime, released on the aptly named Vibration label, transferring Gainsbourg’s spirit to the sultry mood of Spanish language moanings. Her partner in cooing was salsa singer Ralfi Pagan, who provided the Latin lover feel, while Sylvia seemed to practice for her smash hit of the same year, Pillow Talk, a premier bedroom anthem foreshadowing Donna Summer’s disco orgasms. In short: Soul Je t’aime wasn’t perfect, but a sexy mother of a song.

Jack Birch, the stud from „Deep Throat“, became father of Hollywood star Thora Birch („American Beauty“). Ralfi Pagan was murdered during a tour in Colombia, while Sylvia founded Sugarhill Records in the early 80s, becoming the mastermind behind seminal pre-hiphop outings like the Sugarhill Gang’s Rapper’s Delight: She even played bass on the recording.

Mickey & Sylvia – Love is Strange

Sylvia Robinson & Ralfi Pagan – Soul Je t’aime

Sylvia Robinson – Pillow Talk

Birkin & Waits, Birkin & Gainsbourg

Interesting shows with Jane are coming up. Together with Arthur H, Stef Kamil Carlens and Waits-collaborator David Coulter Birkin is part of a tribute to the Tom Waits-album Rain Dogs. She appears in two shows, one in Eindhoven (Holland) and one in Paris. Later on, Jane and four ‘of the best Japanese musicians’ pay tribute to the songs of Serge Gainsbourg. Why? Well, Jane asked herself the same question. From her site: ‘I’d done it all before, Serge in pop, arabesque, classic quator, 14 musicians, 6 musicians, a harp, a squeeze box, violins…’. But then the earthquake in Japan happened. Jane was shocked: ‘I have known these people for forty years… “go there” I thought… tell them that back home folk are thinking of them, but get there, “and do what ?” What can I do? …the only thing I can do… a concert…’ That concert grew into a full-blown tour. She’s coming to Amsterdam, various European cities and the US. See here. Reviews of the show (links, or written by you) are welcomed!

Isabelle Boulay

No, Benjamin Biolay did not write Isabelle Boulay’s Fin Octobre, début Novembre, but he sure sat on the producers chair (see here and here). He produced Boulay’s new album (out Nov 8), this is the first single. Now, when it comes to Isa, there’s always some reservation. Yes, she’s absolutely gorgeous. Yes, she has a fine voice. But her songs border on bland, mainstream territory. Be that as it may, I  loved Chanson pour les mois d’hiver, I loved her duet with Julien Clerc, I can name more than a handful of other great songs by Isa. Fin Octobre, nothing wrong with that one either. Dutch biologist and writer Midas Dekkers wrote an ode to redheads, wonder if he knows Isabelle and what he thinks of her.

Isabelle Boulay – Fin Octobre, début Novembre

The Spinshots

Now there’s a smoking albumcover, innit? It gets hotter when you unfold it – there’s singer Flora Dolores with all her best diva-features in full display (yet clothed). The Spinshots, you know this band from Amsterdam. They’re regular guests on this blog ever since they decided to record one of their tracks in French (this one). They contributed to Gainsnord (this track). And now they’re releasing their debut album. On vinyl, of course. They play ‘neo-exotica’, they draw from everything between Bollywood showtunes to Ethio-jazz to French yeye. This Saturday, they’re hosting a big releaseparty here. Unable to join the fun? Keep watching their website for all the news.

Claire Keim

That other Claire that we love here at FS HQ, Claire Keim, released a new version of Mes silences this week. To me it sounds a little Lara Fabian’ed, if you ask me. There’s was little to nothing wrong with the original version (not a very good link, alas). Still, this is an opportunity to post a nice pic of Claire Keim, one should never miss that.

Claire Keim – Mes silences (nouvelle version)

In other news, listen to Beatrice/Coeur de Pirate talk in English about her new single Adieu (this one) HERE