On the day Whitney Houston died, it is good to remember the legendary TV interview from Michel Drucker, with Whitney and Serge, on April 5, 1986.
As a wise man said: Serge said what every one thought back then…
On the day Whitney Houston died, it is good to remember the legendary TV interview from Michel Drucker, with Whitney and Serge, on April 5, 1986.
As a wise man said: Serge said what every one thought back then…
Too often reduced to Deshabillez-moi, Juliette Gréco was not only the ultimate Existentialist poster girl of the late 40s, but also the most charismatic chanteuse of the post-Piaf chanson. She still is, her brand new album Ca se traverse et c’est beau featuring stunning lyrics by Amélie Nothomb and Jean-Claude Carrière, among others. Yesterday, the mysterious dark-haired girl who once was asked by Boris Vian why she never said a word, turned 85. Belated bon anniversaire, Muse, Amoureuse, Immortelle.
Oh la la. More here. Feminist dismissal here.
In other news, did you see this fine cover of an Elli Medeiros track by CdP and François & the Atlas Mountains? [Merci Bruno]
Here’s an idea: let gorgeous filles like Claire Keim, Jenifer and Camelia Jordana sing poems by Verlaine, Baudelaire, Elouard and Carême. Add some garçons (Arthur H, Marc Lavoine, Babx), some unsinkable legends (Ferré, Hardy, Nougarro) and you have La Bande des Mots. A compilation to raise money for handicapped students, and to help popularize the great French poets. Not every poem is fit to be sung, to be honest. But Verlaine’s Il pleure dans mon coeur by Claire Keim sure makes excellent FS-material. She’s certainly not the first to sing Verlaine’s poem, many classical soprano’s did it before her, but it never sounded this sexy.
Claire Keim – Il pleure dans mon coeur
Camelia Jordana – Spleen
In 1965, comic illustrator Jean-Claude Forest created futuristic heroine Marie Mathématique for French TV, kind of a little sister of Bébé Cyanure (Baby Cyanide) and 60s icon Barbarella who brought Forest world fame and was played by Jane Fonda in Roger Vadim’s masturbation blockbuster. Venusian Marie, “la jeune fille comme il faut”, appeared in six all-too short episodes within ORTF’s Dim Dam Dom tv magazine — a pop art kitten sexed up additionally by the low-pitched cool of singer/ storyteller Serge Gainsbourg. Extraordinary stuff, not to be missed. Giggles and chuckles by another outlandish creature: France Gall.
Remember electronic fille Fusée Dorée? You can download her new EP for free on Bandcamp. I strongly recommend the guitaristic Un autre film.
Problem with Jan/ Feb releases is that they usually are forgotten by the end of the year. Not this one. We already fell in love with Québecoise singer Marie-Pierre Arthur after discovering her on Buck 65’s brilliant 20 Odd Years and her first, self-titled solo effort featuring the lovely folk-pop gem Pourquoi in 2009. Her brand new album, Aux Alentours, features finest eclectic fille pop all the way, combining shades of 70s glam rock, intricate touches of 80s dream pop and glimpses of retro attitude: Her voice encompasses the raw and the smooth perfectly, the tunes changing effortlessly between catchy melodies, gritty riffs and sweet, at times angelic moods. Marie-Pierre has claimed somewhere that originality does not exist, but proves herself wrong with almost every single song: Aux Alentours may start in Reference Alley, but heads straight to Reinvention Boulevard in that Grand State of the Art.
Marie-Pierre Arthur – Pour une fois
Marie-Pierre Arthur – Les infidèles
Buck 65 w/ Marie-Pierre Arthur – Final Approach
Last year was a French-Canadian fille fest, this year the guys put in some weight. Well, one guy, and David Giguère gets help from one of our alltime fave Quebecoises (Ariane Moffatt, who produced), from Fanny Bloom (who sings a too short duet) and Camille Poliquin as his choriste. Giguere, also known as an actor is Canada, made quite an impression with his first single L’Atelier. His debut album is a folktronic affair, with breezy melodies, heartfelt lyrics and modern soundscapes. His voice is a bit lazy, offbeat, a bit like fellow Canadians Damien Robitaille and Pierre Lapointe. At times, like in Madame M, the late Bashung springs to mind.
David Giguere – Madame M
Brazilian singer Luciana Mello recorded a French version of Serge Gainsbourg’s latinized ode to coffee-coloured beauties Couleur Café on her 6th album (called 6 Solo). In the video above you don’t see French singer Corneille, but he’s on the album version. Luciana comes from a musical family, her dad’s Brazilian funk pioneer Jair Rodrigues, her brother Jair Oliviera is a music producer. Not sure if Luciana recorded in French before, but this sure’s convincing.
Listen to more Luciana via Soundcloud.
(Merci to Under Paris blog for the tip)
Quirky French singer Anaïs new single is a cover (see original version here), the first track from a new covers album. Though we love covers at FS, we’re also sceptical. The reason you didn’t find a post about the new Olivia Ruiz-EP is that her swing covers are average, not to say below average. And Olivia in English…I don’t know. On her upcoming album A l’eau de javel, Anaïs sings tracks by Edith Piaf, Rina Ketty and other 40s singers, whom she prefers over, say, Madonna and Mylene Farmer (good choice). I also heard a version of Tina Turner’s Private Dancer by Anaïs, but I sure hope that’s not on the album for it’s baaaaad. But this new single is very, very promising. And danceable.
Anais – Je n’embrasse pas les garçons