Ines Talbi

She looks a bit like Amy Winehouse, doesn’t she? Her Canadian niece, maybe, with Moroccan roots. Ines Talbi (from Montréal) was part of a few bands (none I’d heard of) before she released her debut-album last month. Most of the songs on that colourful popalbum are in English, bar one. And you guessed it, that’s the strongest chanson on Boarding Gate (though I like the humpa-orchestra that walks by in her first single I Know You Know). Because of the vibes, it sounds a bit like an older Radiohead-song. Or Karkwa, maybe. It’s not the first time Ines sings in French, she re-did Mirza on this Canadian Nino Ferrer-tribute. Here’s a live version of Dernière la pluie.

Ines Talbi – Derrière la pluie

SoKo Live

I already wrote about my crush on Soko.

Last Tuesday, I went to a show in my hometown Rotterdam. To be honest, I didn’t know what to expect. The show she gave a few days earlier in Brussels got both enthusiastic and negative reviews and last week she cancelled a few shows in  France because of illness and depressions so it could be good or bad.

Soko came on stage and told us we would start with a surprise act. Her brother Maxime sang two songs, while Soko herself was singing backing vocals and playing drums.

After that Luke Rathborne came on stage. He is a singer-songwriter from New York and also member of Soko’s band, and he wasn’t bad but not very impressive and struggled with the problem of this venue: people chatting to each other instead of listening.

And then Soko came on stage… What followed was a two hour long show, and a rollercoaster of emotions. Soko and her band members (Luke, Gillian McGuire on bass guitar, violin and backing vocals), ran around the stage, changed instruments and gave the impression they were all making it up on the spot.

We saw Soko singing very sad songs (“can I do another very a sad song or do you already want to kill yourself?”), was chitchatting with public (“I love you Danish people! Oh, not Danish, no. Dutch. But I’m dyslectic. Do you mind calling you Hollandish?”).
She played mostly new songs and almost her entire album. No songs from her earlier period when she had a minor hit with “I kill her”.
Surprisingly the songs with other her band members were the best with “People Always Look Better in the Sun” as one of the highlights of the evening.
There also was a therapeutic number “Destruction Of The Disgusting Ugly Hate” sang by Soko from behind the drum kit, which sounded like an early French punk song.

The last half hour of the show was for singalong with the audience, inviting people on stage (“You are so hot, may I touch your boobs”?)  and asking about the legal status of touching boobs of a 19 year old girl “Is that underage here?”).

After the last song she said that she was available for free hugs “like now”, stepped off the stage and walked through the public to the back of the venue, where the merch was.

It still is hard to describe. But after seeing her live, I can’t think about the fact that it is just real. Soko is a young woman who likes to be on the podium, sharing her emotions with her audience and loves to perform. And maybe it is not that “good’ but at least it was enjoyable fun and entertaining. And maybe that is what music is about…

Here’s a rare clip of Soko singing in French.

New album Berry coming up

The new Berry album ‘Les Passagers’ will be released on 23 april.
Above a video of one of her new tracks: ‘Si C’est La Vie’.

Under Mike’s Umbrella

Ah, Françoise. Everybody had a crush on her back in the Sixties, that shy, well-bred brunette with those wistful chansons who seemed to spend all her time under her umbrella. One of her most iconic songs was Dans le Monde Entier, issued in 1965, evocating that endless Parisian rainy season once again. Of course future Wombles mastermind Mike Batt, 16 years old then, was also in love with Françoise, and Georgian-British songstress Katie Melua‘s cover of the English version, produced by Batt for her brand new album Secret Symphony, is a recollection of those cloudy days of innocence. Melua captures the mood of the tune just perfectly, though the last line now isn’t the heartbreak threnody of a young girl anymore, but the last echo of young Mike Batt’s clandestine longing: I still love you so.

Katie Melua – All Over the World

Françoise Hardy – Dans le Monde Entier
Françoise Hardy – All Over the World

Spoiler Alert

Don’t watch this one if you haven’t seen Tinker, Tailor, Soldier, Spy so far. Or do. However, the brilliant end montage of Tomas Alfredson’s adaptation of the famous John le Carré novel features the full-length version of La Mer by … Julio Iglesias, catapulting the Spanish schmaltz yodeler right into the realm of Supercoolio. One that goes directly to the head.

Mina Tindle, Maia Vidal

Paris-born Pauline de Lassus (credit-spotters: yes, she sings back-up on The National’s Boxer-album) performs under the stage name Mina Tindle. She’s of Spanish heritage, lived in the USA for a while and was part of the bands Toy Fight and The Lime (couldn’t find a link). Last year, her first EP was released and we (yours truly and co-FS-conspirator FransS) saw her perform in Bruxelles, as a support-act to Coeur de Pirate. Highly charming, I even got my EP signed by the beautiful singer afterwards. Her debut-album is out now, and it’s a gem. Two songs in French (see her duet with JP Nataf), one in Spanish, the rest in English. She covered a Caetano Veloso-song in the past, and in some songs you can hear Tropicalia-influences. She loves Dylan and Cohen and Nico, and here I saw her described as a Sufjanienne, for arranging her songs with all kinds of (acoustic) instruments, a nod to Sufjan Stevens of course. Wish she sang more in French, but this is a keeper. Here she duets with Orouni.

Same goes for American singer Maia Vidal, whose first album was released last year (sorry, should’ve posted about her earlier). Read her biography on Wikipedia here. And do try her Rancid-coverband Your Kid Sister here. Like Mina Tindle, Maia sings in various languages, mostly English but also in Spanish and in French. On Le Tango de la Femme Abandonnée, Marc Ribot plays guitar. You can listen to various songs on Soundcloud.

Mina Tindle – Demain
Maia Vidal – Le tango de la femme abandonnée

Fanny Bloom – Apprentie Guerrière

Fanny BloomBack in 2009, La Patère Rose recorded their highly recommended self-titled debut, followed by EP Waikiki in 2010. After that, singer Fanny Bloom (Fanny Grosjean) already announced the end of La Patère Rose and hereby initiated her solo career. A good choice according to her just released solo debut ‘Apprentie Guerrière’.
Fanny grew up. The sometimes somewhat naïve songs of La Patère Rose are replaced by catchy and cheesy synth-pop songs (single Parfait, Parfait) or cheerful Lio-esque tracks like ‘Tes bijoux’. A handful of piano-driven tracks shows her skills for serious melody-rich writing that comes to it’s peak with the stunningly beautiful and emotional ‘Mon Hiver’. A moving song – way too short though – with some weird voice effects in it. Bloom at her absolute best.
Apprentie Guerrière is a mature and diverse album that never fails and finishes with a very intimate title track. Bloom shows with this album that she grew in all facets of her writing, but luckily still has her delightful, hoarse voice on top of it. Some things are good as they are.
So without any doubt, there is this sentence again: Yearlist material people.

Fanny Bloom – Mon Hiver
La Patère Rose – Décapote (so we won’t forget)

Mary & Me

When Elke, the singer of Mary & Me (a band from Gent, Belgium), starts singing, you know you’re lost. You want to take care of this fragile beauty, knowing that she’s more than a handful. That she will make you jump off of cliffs (metaphorically speaking)(you hope), steer you off the beaten track and confront you with sides of yourself you’d never knew you had. Mary & Me make vortex music: hooked instantly, and then there’s no turning back. There are 80s references, the golden days of Belgian wave, the Les Disques du Crépuscule-era. Anna Domino, Allez Allez, Marine. Their second album is out now (link), with all songs in English. But to make it more interesting for FS-regulars, there’s a French EP coming out as well. Single We Go Round is out in two versions (English clip, French clip). Of course, we like the French version best. Tourne, tourne, tourne, tourne….

Mary And Me – La Ronde