FS Exclusive: Danou & the Midinettes

Connecting sweet, innocent lolita-popsinger Lio to The Social Network, that’s what Danou and his faithful Midinettes are doing in Amoureux Asociaux. Although I first thought he connected Lio tot Gossip’s Heavy Cross – it does sound very familiar innit? Danou insists he ‘captured’ the instrumental track, made by Trent Reznor and Atticus Ross for the movie The Social Network. Danou & The Midinettes, the only place you read about them before was here. Not a real band, the Midinettes are ‘midi-slaves’, just a side-project from a member of this great band.

Danou & The Midinettes – Amoureux Asociaux

In memory of Nico: longing and loneliness

Guestpost by Roger Grund, on Christa Päffgen, best know as Nico.

Liebes kleines Mütterlein

Nun darf ich endlich bei Dir sein
Die Sehnsucht und die Einsamkeit
Erlösen sich in Seeligkeit.

(Mütterlein, from Desertshore, 1971)

The model, actress and singer Nico was born as Christa Päffgen on October 16th 1938 in Cologne and died on Ibiza in 1988. Nico was intimate with the emerging cinema and rock aristocracy of her days in Paris, Rome, London and New York. Andy Warhol deemed her as one of his superstars. Nico sang on the first Velvet Underground album. She inspired Lou Reed to write ‘Berlin’. Nico recorded acclaimed and highly original albums, often with John Cale lending a helping hand. All this is well known and has become part of  rock mythology.

Reading about Nico, the adjective mysterious dominates the word count. Nico remains at a distance even in her more personal, often German-spoken songs. As befits a model the surface is shiny and made-up, but the inside stays out of view. The distance reflects the longing and loneliness of her world view. And this is what resonates still today. It is as if she questions: ‘’What place is there for love? What matters is finding that place, if it exists.’’

If it exists, indeed.

Nico – Eulogy to Lenny Bruce (Roger Grund remix)
Nico – Das Lied Vom Einsamen Mädchen
Nico – Mutterlein

BONUS: Video for Nico singing Serge Gainsbourg’s Strip-Tease.

Melissmell

Raised in the Ardèche, named after etheric oils her grandmother used, Melissmell debuts with an EP that features a rework of the French national anthem. Called Aux Armes. Any Gainsbourg-fan would wanna know what she did with it. I’d say she Raphael-ized it, added dramatic strings, marching band-drums and musical drop-downs (I mean: the music comes and goes), not unlike Raphael did on his majestic Caravane album. There’s a Brel-influence there as well. And yes, she quotes those immortal words Serge uttered: ‘Aux Armes etcaetera’. Serge remixed Rouget de Lisles anthem as a statement about integration (in the late 70s, mind you): you’re really a part of the state if you know the national hymn so well, you can remix it the way you like it. Still powerful, methinks. Melissmell was trained as a graphic designer but drifted into the music. No surprise for a girl who could sing before she could speak. On her album she worked with some big French guns, but I heard only the EP. Not a fragile fille, more a girl with big lungs and big plans. See a nice acoustic session here.

Mellissmell – Aux armes

Cilla K, Ntjam Rosie

Words that are overused on this blog are probably ‘gorgeous’, ‘sensual’, ‘sexy’ and ‘fragile’. The first three apply to Cilla K and Ntjam Rosie. But fragile, no. Both black singers have a French-colonial background (Guadaloupe, Cameroon) and they make gritty, urban music with futuristic touches. Three words that are very underused on this blog. Which is a bit of shame really, ’cause I’m into (modern) soul and funk as much as I’m into soft-sighing French blondes. Cilla K (pictured) worked with some big names in urban music, on her debut-album Fine Line is one track partly in French. One of the strongest tracks, I think. See a great video of another of Cilla’s songs here.
Ntjam Rosie now lives in Rotterdam and just released her second album Elle. Like on her debut there are a few songs in French, but no more tracks in local dialect. Instead, she added a lot more soul, plus world reknown flautista Ronald Snijders. In L’Amour she gets help from Esperanzah from Numaads.

Cilla K – Demain
Ntjam Rosie & Esperanzah – L’Amour

Cathy Claret

Blonde, beautiful, Brigitte Bardot-lookalike, born in Nimes, relocated to Spain and some sort of icon since the 80s when her records were released by Les disques du Crépuscule – meet Cathy Claret. The last time we’ve heard from her was three years ago, all of a sudden there’s a new single. Chocolat is partly in French, partly in Spanish and sung deliciously off-key with that unresistable Lolita-voice of hers. The other track on this single is a rap (!) in Spanish, and so godawful that I promise to post it if this blog ever calls it quits, to scare you all off. Can’t figure out if a new album is in the works as well, but I guess there is. Let’s pray it includes a lot of songs like this one.

Cathy Claret – Chocolat

Different Class Radio

If you want to hear me murder the English language whilst talking about this blog and fragile French girls, be sure to check this month’s edition of Different Class Radio. An excellent English online radioshow that plays excellent music, including French pop. Go HERE.

Lisa Hannigan covering Air

Playground Love, the theme-song from The Virgin Suicides, is covered by the beautiful and fragile Lisa Hannigan. You know, the girl who sang Nine Crimes with Damien Rice, one of those songs I turn off when it comes on the car stereo because I can’t drive all misty-eyed. She recorded Playground Love, written by Air and sang by the guy from Phoenix, for Saturday Sessions, a BBC radio-show hosted by Dermot O’Leary. The second compilation with sessions (various covers, stripped versions) is out now. Yes, this is not a French song, but an Air-cover, from a great movie by a great director, there is always room for that on this blog.

Lisa Hannigan – Playground Love

Marchet & Birkin

Jane Birkin (pictured) and Florent Marchet playing distant lovers in a song from the new (third) Florent Marchet, named after the airport Roissy. Or the chateau from Histoire d’O – my guess is that Florent’s playing with both meanings. Could be me, though. Florent first blipped on my radar thanks of Tous Pareil (see video  here, without the female voice alas) from his debut. He writes strong, atmospheric rocksongs, on the new album he adds some electronics that make him sound a little like New Order. There’s even an instrumental track on Courchevel. His voice is in the same hoarse category as Cali (and Ridan, and Tetard, and Patxi, you know the type). Makes you wonder if the French only like one type of male, and one type of female voice. But that’s probably a cliché.

Florent Marchet & Jane Birkin – Roissy

Coralie Clément

This Friday just got a shot in the arm, FS-friends. Feast your ears on this, a duet between songwriting genius Jacques Duvall and the guardian angel of this blog, Coralie Clément. Listen (and/or download) HERE.