Posts Tagged ‘Francoise Hardy’

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Françoise Hardy

16/05/2013

CDCHD-1358_383_383‘Françoise was a confirmed Anglophile who had wanted to record in Britain, with British arrangers, as soon as she became famous’, Bob Stanley writes in the liner notes of ‘Midnight Blues’, a compilation of Hardy’s finest English songs, recorded between 1968 and 1972. I’m not a real fan of Fran’s English songs. It’s the accent, it’s the fact that the translated songs were better in their original form. I like her better in Italian (Spotify-link), but, granted, there are some nice tunes. As is always the case with Ace, the liner-notes are fine, it sounds great and the photos are carefully chosen. One of the things St.Etienne’s Bob Stanley can’t stop fussing about, is how thin and beautiful Hardy was back in the day. ‘In England, it was certainly my physique which pleasured people’, Hardy is quoted. Producer Tony Cox, who tried to set up a collaboration between Nick Drake and Hardy (it didn’t work) says: ‘We’d go out for dinner and every head would turn.’ A part from All Over the World, no single or English album was a bona fide hit in Britain. But she did work with several interesting arrangers and musicians, like Fairport Convention’s Richard Thompson and members of folkband Fatheringay. Here’s two tracks from the compilation:

Françoise Hardy – Midnight Blues
Françoise Hardy – Let My Name Be Sorrow

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Françoise Hardy

06/11/2012

The new album and the new novel are out. Listen to a beautiful new song below.

Françoise Hardy – Si vous n’avez rien à me dire…

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Fouxi

25/10/2012

NEW Fouxi single (you remember her, wrote about her earlier, she’s on one of my compilations and Francoise Hardy covered her!)

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Françoise/ Serge

14/10/2012

Actually, I like Depardieu’s slightly sleazoid version from Quand j’étais chanteur best, but Françoise’s voice could turn even a Gainsbourg song into an anthem of innocence.

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Under Mike’s Umbrella

17/03/2012

Ah, Françoise. Everybody had a crush on her back in the Sixties, that shy, well-bred brunette with those wistful chansons who seemed to spend all her time under her umbrella. One of her most iconic songs was Dans le Monde Entier, issued in 1965, evocating that endless Parisian rainy season once again. Of course future Wombles mastermind Mike Batt, 16 years old then, was also in love with Françoise, and Georgian-British songstress Katie Melua‘s cover of the English version, produced by Batt for her brand new album Secret Symphony, is a recollection of those cloudy days of innocence. Melua captures the mood of the tune just perfectly, though the last line now isn’t the heartbreak threnody of a young girl anymore, but the last echo of young Mike Batt’s clandestine longing: I still love you so.

Katie Melua – All Over the World

Françoise Hardy – Dans le Monde Entier
Françoise Hardy – All Over the World

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Dave

30/11/2011

Remember Dave? The Dutch-born, blue-eyed singer had a massive hit in the 70s with a discofied version of Glenn Miller’s Moonlight Serenade (watch!). In France, he was major star, but as it goes with names from the past, they fade away. Somebody made the connection of his blue eyes and soul, called in the team behind Ben L’Oncle Soul and the album Blue-Eyed Soul! was born. Is it good? No. Music-wise it’s okay. Rehashing Del Shannon’s Runaway or Rubettes’ Sugar Baby Love in French, wearing a very thin soul-jacket is far from okay. But a re-recorded version of Dave’s ballad Il ‘y a pas de honte à être heureux with Françoise Hardy is worthy of a post on this blog.

Dave & Francoise Hardy – Il ‘y a pas de honte à être heureux

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Dirty Beaches vs Françoise Hardy

23/10/2011

Françoise Hardy’s piano in Voilà, combined with eerie, dark rockabilly. Now there’s a treat. The guy responsible for the mix is Alex Zhang Hungtai (aka Dirty Beaches), a Taiwan-born Canadian immigrant who spent a good chunk of his life feeling unmoored and adrift. He loves David Lynch, Jim Jarmusch, Wong Kar Wai and the music of Johnny Cash and The Stooges (he covered them both). Dirty Beaches’ album was released in March, but Jan Kooi told me about Lord Knows Best, with the Hardy-sample. This video merges images of Hardy and Hungtai. In the same vein was the use of Chantal Goya in a track by Wild Nothing.

Dirty Beaches – Lord knows best
Françoise Hardy – Voilà

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Thomas Dutronc

19/07/2011

The son of Françoise Hardy and Jacques Dutronc released a very good new single today, Demain. It’s the first track from the upcoming new album (out in October), the follow up to the highly succesful Comme un manouche sans guitare. The Django-vibe’s still there, but he makes it completely his own.

Thomas Dutronc – Demain

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Blank Generation

03/06/2011

The so-called Relax series is the chillout compilation line of German dance/ house producers Blank & Jones, Café del Mar style. Relax Volume 6 also features a French language track for summer patios and Freixenet ads – a cover of Francoise Hardy’s Comment te dire adieu by Gallic schlager starlet Berry which brings to mind some all-too-fitting words by T-Bone Burnett: “We live in an age of music for people who don’t like music. The record industry discovered some time ago that there aren’t that many people who actually like music. For a lot of people, music’s annoying, or at the very least they don’t need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.”

Berry – Comment te dire adieu

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Vic Godard vs Francoise Hardy

17/04/2011

Martin wrote a guestpost about a remarkable cover of a Françoise Hardy song by former Subway Sect-member Vic Godard:

Vic Godard is one of the great lost talents of the post punk. In 1976, he formed Subway Sect at the suggestion of Sex Pistols manager Malcolm McLaren. After a few album and single releases in the mid-1980s, Godard retired from music and became a postman. In 1990, Godard wrote the song “Johnny Thunders”, a tribute inspired by reading an obituary of the New York Dolls guitarist. The song was included on the album ‘The End of the Surrey People’, produced by Edwyn Collins (A Girl Like You) and featuring the Sex Pistols’ Paul Cook on drums. In October 2010 Vic released his newest album ‘We Came As Aliens’. Most songs from the album have been evolving since the mid 1990s, with the exception of Françoise Hardy’s Et même, which Vic wanted to record since ’77. The sound of Et même is raw and the vocals are always sung with respect to the original version.

Further information about Vic Godard here.

Vic Godard – Et meme
Françoise Hardy – Et meme
Françoise Hardy – However much (English version) See an Italian version here.