Bubbling under: Salomé Leclerc

There were some pretty cool debuts last year like Lafille, ZAZ and Brune to just mention some. Others filles like Élodie Frégé, Cécile Hercule or Babet ‘simply’ consolidated their position as certified filles fragile. Let’s just hope that next year will bring us at least the same high quality in French music as this last year did.
One release with high expectations that is already announced by herself for 2011, is the debut from yet another darkhaired beauty, 23 years old from Canada: Salomé Leclerc.
Unlike others who prefer the intimacy of a studio, Salomé played a lot of festivals (among which FrancoFolies) and clubs the past few years to discover her own style just by playing her songs over and over again for live audiences.
Together with her music director Philippe B., former frontman for Gwenwed and guitarist for Pierre Lapointe, she is now working on her debut. In this interview she isn’t sure yet of the direction in which her debut will move, but according to her MySpace and YouTube, we may expect quite some exciting and sultry moments of joy. Think Marie Daguerre, think Cat Power, think Geneviève Toupin, think Salomé. Don’t let us wait too long!

Happy New Year Y’all!

Salomé Leclerc @ MySpace
Salomé Leclerc @ YouTube

(ps: even more exciting releases next year? Let us know in the comments!)

Something to die for (Dia de Los Muertos 4)

It’s my own guilty pleasure to re-write my will every now and then. Nothing much to say in it actually, but nevertheless, music is an important part of it. One track that is in it for years now: ‘The Carnival Is Over’ performed by Nick Cave and his Bad Seeds back in 1986 on their ‘Kicking Against The Pricks’ album with only covers on it. A rather dull and annoying song in itself, but what Cave and companion Blixa Bargeld made out of it sounds as the most beautiful and thrilling Goodbye to me.
The original of the song (and we’re going to do a little Blokhuisje now – Dutch readers know what I mean) goes way back in time. Most people know this track as performed by The Seekers in 1965. Tom Springfield (yes, Dusty’s brother) wrote the lyrics for them. At the label also credits for Frank Farian, a German producer who wasn’t the most original man in musicbizz, so a bit of suspicion is allowed here. This Seekers’ song was covered very often, but was ‘The Carnival Is Over’ an original in itself? The answer: no. In fact the track goes back to 1826 when Hector Berlioz used a piece of an old Russian traditional in the ouverture of his opera ‘Les Francs-juges‘. Later on this evolved in a Russian folksong titled ‘Stenka Rasin’, that was recorded by several orchestras and artists under all kind of different titles.

One of those performers is – and now we’re getting close, finally this is a blog about French music – Charles Aznavour & les Compagnons de la Chanson, who recorded it as ‘(La Légende de) Stenka Razine’ in 1951. Not half as stunning and touching as Cave did, but French it is.

Nick Cave & The Bad Seeds – The Carnival Is Over
Charles Aznavour & les Compagnons de la Chanson – (La Légende de) Stenka Razine