Combining traditional Arabic and African elements with Disco, Drum ’n Bass, and Hindi Pop, Belgium-born singer Natacha Atlas features as one of the premières divas of the cha’abi moderne, a term she invented herself to describe her style. Natacha cooperated with colleagues such as Peter Gabriel, Nigel Kennedy, and Jean-Michel Jarre, but if those names aren’t really your cup of tea, also with British enfant terrible Jah Wobble or French world music entrepreneurs Les Négresses Vertes. She explains the concept of her brand new, tenth album here – last not least, Mounqaliba (In a State of Reversal) stars Le cor, le vent, a fine after-hours piece with wistful accordion, and La nuit est sur la ville, a lightly orient-ified cover version of Francoise Hardy’s 1964 ballad.
Natacha Atlas – Le cor, le vent
On her 1998 album Gedida, Natacha already covered another Hardy chanson, the widely popular Mon amie la rose, transferring Hardy’s Gallic teenage melancholy to the dancefloor of Arabian Nights.
Natacha Atlas – Mon amie la rose (Radio Mix)