It took Salomé Leclerc almost four years to release her debut ‘Sous Les Arbres’. These years of writing, fine-tuning, re-arranging and rehearsing resulted in a very intimate, subtle and layered album that reveals its treasures slowly but surely. Together with Emily Loizeau (they met each other for the first time at ‘Les Rencontres d’Astaffort’) she managed to record a rudimentary album with lots of folk-influences that nonetheless doesn’t get on the nerves. A tour de force in itself, but she succeeded. The darkhaired beauty from Québec is blessed with a very versatile voice that is hoarse when needed (Dans la prairie), bright and strong (Partir Ensemble) and ominous and exciting (Volcan). The guitar-driven songs are the perfect field for her voice to play on and simultaneously kidnap the listeners mind to drop it somewhere under the trees.
Salomé Leclerc made an outstanding debut (but I still wonder why a stunningly beautiful song as ‘Est-il Cassé ?’ – see video below – isn’t on it).
Guuzbourg was right, yearlist-material people.
Salomé Leclerc – Tourne encore
Salomé Leclerc – Est-il Cassé ? (live at ‘Les Rencontres d’Astaffort’)
Kooky French folksinger Emily Loizeau, who made delightful singles like Sister and Je Suis Jalouse, will release a new album in September. First single Vole le chagrin des oiseaux is a very promising first look. Great voice, great atmosphere. Get a preview of her album here. Last year, she released the soundtrack for the movie King Guillaume, with most songs in English. Most songs on that are short, the screwball-comedy-song Girls Like Jerks stands out.
