Emily Loizeau

Ah, dear Emily. In 2006, this blog agreed that Em was a mix of ‘veiled melancholy, and a particular mix of smiles and sorrow’. Comparisons to 70s singer-songwriters were drawn, to Shivaree, to Blossom Dearie. L’autre bout du monde was, and still is, a very good debut album. That now celebrates its 20th birthday. And because of that, Emily released a modular mix version of the title track, which is very very nice:

This is the more acoustic first version:

Not the first time Emily revisited her song:

And a live version:

Wizzz 5

Wizzz is a series of albums that features fairly obscure French yeye-pop and psych from the 60s and 70s. On the newest edition, there are two quite great female sung contributions. Annie Girardot was an actress (150 films!) who sang incidentally. This track is from the movie Erotissimo, a film about a housewife who feels left out when everything and everyone around her talks about, and shows sex. It features Serge Gainsbourg, too. See a clip here.

The story of the song Zoé began when Pierre Dorsay, artistic director at Vogue Records, asked Swiss singer and musician Pierre Alain to write a song for a new female singer. The inspiration came when he realized that Zoé (the artist’s name) was also the name of France’s first atomic battery, created in 1948, which consisted of uranium oxide immersed in heavy water! The lyrics reflect a bubbling energy that must be handled with caution, while the instrumentation echoes this atomic theme, notably with the use of a theremin.
Zoé’s career lasted only as long as a single 45 RPM, but it seems Christine Fontane was the vocalist behind this pseudonym, who is known for several EPs, a good “popcorn” album in 1964, and a handful of children’s singles in the ’70s. Regardless, the photograph on the cover is of a different girl entirely.

Billie

Yet another very good, fierce song by Billie, heavy on the dream pop/new wave vibes. This is also one to watch for this year. Yeah, she’s the daughter of Mathieu ‘M’ Chedid:

Maude Loue

And yet another Maude (see post below). A spectacular first single by French-Canadian singer Maude Loue, who debuted last year in this duet:

Maude’s first solo single refers to British dream pop (that janglin’ guitar), to Daniel Bélanger (one of her heroes, among Bashung and Marie-Pierre Arthur). A ‘chrysalide’ is the inactive, armored stage of an insect (such as a butterfly or moth) between the larva (caterpillar) and adult form. Let’s keep watching Maude Loue, see how she develops.

Maude Audet

Maude from Montreal makes music since the early 2010s, and refers often to the 60s heydays of Françoise H. and the like. Melancholy moods, marvellously made. A new album is upcoming, this is one of the singles. Love that twangin’ guitar:

EL

EL is Elvina Pavesi, a French Canadian singer who released a handful of singles last year. And now, she released a Japanese-tinged, sexy midtempo burner. On the watchlist, EL:

T’en va pas

Last year, rising French pop star Miki recorded a cover of Elsa’s 80s smash T’en va pas. Alas, no video:

This is the original:

I thought, let’s check out how many other versions I can find. I’ll leave the tv-talentshow auditions out, this Japanese cover is close to the original but quite cool:

This Joyce Jonathan version, more acoustic and less synths, is also very good:

Dina Jeanne & Biolay

Dina Jeanne released only singles so far, starting in 2020, so she’s taking things slow (I guess). She likes Aznavour, Barbara, and her own songs have a classic chanson vibe. From what I’ve heard so far, she can sing quite powerful, but also very breathy. And that comes in handy in this sensual duet with Benjamin Biolay, just released:

Vio

Violetta Cuche = Vio, a French singer, featured here earlier. She has a new song out, a ballad that’s an ode to friendship, ‘a hug, a caress for everyone who’s feeling alone against the world’, as Vio states on her Facebook. Earlier singles by Vio were more beat driven, and cool, this song is different but cool too:

On her Facebook, Vio posted a very nice French translation of Lykke Li’s ‘I Follow Rivers’, hope she will put that on her YouTube channel. This Alain Souchon cover is great too:

ML

ML is the moniker of Maria-Laetitia Mattern, a Belgian singer who was featured earlier on this blog. Her music and voice refer to Hardy, Feist, Jacklin. ‘La fête’ is a delicate song, written in one go on a national holiday, about how everyone around you is happy, and you’re just not feeling it.

Also very nice, from 2022, this collab with Flore Benguigui (ex-L’imperatrice):