From Lyon, Clementine Weck released several songs and an EP (since 2024). Her voice has the right amount of melancholy (think Tanya Donelly), in her songs ‘it’s good to fall in order to get up again. Looking for the beauty in failure, the sweetness in pain.’ There’s a nice indie pop vibe, and new single Marcelle cherie builds to a fierce ending.
It seems to me that Franco-Italian singer Adèle Luisa‘s mission is to befuddle all of us with lush, laidback and leisurely songs that spark images of sultry beaches, fresh young coconuts and swaying palm trees. Take this floating airbed of a song, En Sous-Marin:
Or take this relaxing track:
More Adèle Luisa on this blog, here.
From Quebec City, Canada, it’s the duo Fleur de Peau. On their Bandcamp page, it says that it’s a musical synth-pop project. Pop, sure. But with lots of dream pop guitars, at least on this new album. Listen to this track, that nods to the 80s, there is a synth present, and that wonderful high-pitched voice of Elle Dubois-Sénéchal (her musical partner is Louis Fernandez). There are also more folksy, acoustic songs on this very versatile album.
Her name has a musical ring to it, Canadienne Eleonore Dessureaults first album has jazzy, folky vibes and (to me) sounds like Dutch songstress Janne Schra found a vocal family member across the ocean.
Eleonore writes songs that are piano driven, and give way to her wonderful, almost free style way of singing. References, apart from Janne Schra, are Emily Loizeau and (early) Feist. Her lyrics are very poetic, I love the title of the this track: The embrace of lost bodies.
Beautiful track by Montreal-based singer La Bronze, about being hyper-sensitive. To words, feelings, emotions, moods. Electronically charged, ominous and sensual at the same time.
Posted earlier about the soundtrack to the movie Les Immortelles, made by Calypso Valois. See that post here, see the trailer to the movie here.
The full soundtrack album has been released, and it features a truly DIVINE closing track. Highly emotional (you can feel the tears rolling down the face of the singer), angelic because of the choir, soothing because of the ethereal synths and the reverb-y guitar. It has a seventies vibe because of those unsteady synths and basis electronic drums, it’s like the room gets a plushy, orange make over when you listen to Les Immortelles II. It’s 7m27s long. Dive in:
New ‘chanson cathartique’ by Auren (not to be confused with Aure):
