Former The Voice France winner Maëlle (Pistoia) released a great pop single. Love that soothing voice. The song is about regret, bad desicsions and (according to the video) not that happy.
Only French song on the most recent album of upcoming French-Haïtian singer Naïka, is the very sultry Soleil. The album, Eclesia, has modern R&B, reggaeton and other new styles, but also this jazzy bolero:
Another new track from the upcoming Grand Eugene album, this time with help from Miel de Montagne. This is indie-disco at it’s coolest. Below is not a real video, it’s a repetitive image, that works kinda weird.
Epic sexiness, from Yade. Hypocondrie. What a song!

Meimuna (Cyrielle Formaz, from Switzerland) is a current fave on this weblog. And when she (again) teams up with Dutch producer/arranger Ella van der Woude, it’s a pretty safe bet the outcome will be great. And it is. This song, about existential doubts & fears, has the right atmosphere, the bassline, the choirs, the synth strings, that add up to a track one could float on for days on end.
A very breathy new single by Calypso Valois, which is nice:
The two girls in the video are the main characters in the movie Les Immortels/Stereo Girls. See the trailer below. From the press info: “1990s, South of France. Charlotte and Liza, inseparable 17-year-old best friends, live for the thrill of music and the exciting promise of freedom. They’re opposites in every way but together, they’re unstoppable. As the right-wing party starts spreading in their hometown, they dream of moving to Paris, to fulfill their passion for music.But when an unexpected tragedy strikes, Charlotte is left alone, standing on the threshold of adulthood.”

Saw this on the Facebook-page of Françoiz Breut, so you know this gotta be good. Aurélie Muller is NOT the French swimmer, but a fellow Bruxelloise (not sure if that’s a word) composer. She’s made the soundtrack to an imaginary film. It sounds pretty orange, breezy and Air-like, at least on this track:
From her Bandcamp: ‘The Bande originale du film imaginaire d’Aurélie Muller is conceived as the soundtrack to a film that endlessly rewrites itself in the listener’s mind.
The album unfolds through warm instrumentals and songs, blending organic textures, real-life sounds and gentle melodies. Light is omnipresent: seaside landscapes, heat, slow movements, even the night feels warm.’