Nice. More on Billie HERE
Nice. More on Billie HERE
Great new track, love that bassline.
More on Claire here
Model turned singer, in probably all other countries and languages this label is a turn off. Except in France/French. See and hear for yourself (and yes, it does help that Aline is producing):
Alexia’s EP (featuring tracks produced by Baxter Dury and probably Geoff ‘Portishead’ Barrow), drops later this month.
Maude Audet’s (she was just known as Maude back then) debut album “Le Temps Inventé” made one of our year-lists back in 2013 and now a couple of years later she’s back with her follow-up, “Nous sommes le feu” and while the album that doesn’t steer that far from the sweet folk-tinged pop of its predecessor, the poetic storytelling of Maude’s lyrics bring each song vividly to life.
In part the album revisits some of the themes of love and hope which were explored on her debut, the most obvious examples being “Je serai nacelle” and “Contre ton corps on se sent moins vieux.” The former is moving and heartfelt, the acoustic accompaniment the perfect accompaniment la tendresse – the lyrics convey, especially in the way the song’s mood totally changes during the uplifting and reassuring chorus – “…Je suis là, Avec toi, Je te prends, Dans mes bras…” as she deftly holds the note on each of the last syllables… “Contre ton corps on se sent moins vieux” explores the concept that love – like a fine wine – improves with age as she confesses “…Contre ton corps on se sent moins vieux, Nue sur ta peau tout semble mieux..” It’s a beautiful song that touches on sentiments similar to those of Les sœurs Boulay’s “Maison” from their album “4488 de l’Amour.”
But there’s also social dimensions that Maude is not afraid to tackle. “On leur demande” sees her address war crime that is the forced ‘recruitment’ of child soldiers in conflict-zones. Starting out like an acoustic version of a rock number, Maude expresses her disgust as the middle-eight cranks-up a reverbed cacophony of guitars. She also takes aim at the policies of austerity with the up-tempo “Troubles-fête.” Again there’s glorious chord progressions and refrains aplenty on a song that contains more than enough to keep mind and body occupied.
And then there’s also the way in which Maude uses cello sparingly to add texture and depth. On “Nous sommes le feu” the strings adds a touch of gravitas and reflection. The song itself is one of those seemingly effortless numbers which meanders along quite serenely, all the while reflecting that mankind’s actions le feu” are often destructive, when channeled as a force for good there will always be hope – the hungry bellies of the starving will be replaced by smiling children and the sweet taste of a lover’s kiss.
Nous sommes le feu” is an album full of timeless songs which are illuminated by Maude’s magnificent storytelling, the end result is an œuvre of delightful folk-tinged pop.
From the bestest French album of the year:
And don’t you forget it: