Coralie, I love you but you’re bringing me down…
Coralie, I love you but you’re bringing me down…
We’ve been boogie-ing down on this blog every NOW and THEN, but never to the sounds presented on this compilation, out end of this month. Rare titles by artists from either the (French) Carribean or Canada, this glitters like sequined hot pants. ‘Superstar’ by Canadian band (?) Contessa intrigues me the most – the song’s credited to one Geraldine Hunt, who made a few discofied albums herself, but certainly isn’t singing this track. Anybody has more info?
The Plot Thickens. Superstar is a French version of the song ‘Star struck’ by Cheri, with Geraldine Hunt singing (and writing). Thanks Aux!
Want a free Annie Philippe compilation? Read on!
Born in 1946, and still active today, it’s blonde bombshell and yeye-icon Annie Philippe! Ace Records just released a compilation with hits and nuggets, both on vinyl and cd. She’s best known for Ticket de Quay and uptempo banger C’est la mode. One of my favourites, J’ai tant de peine is also on the Ace compilation:
As said, she’s still active today! Watch a show she did this year HERE
I have one compilation-cd to give away. All you have to do is send me a guestpost on your favourite YeYe-song. Any song, not just Annie’s. Guuzbourg (a) gmail.com awaits your texts (100 words or more).
Another cool Ace-released compilation is ‘Ciao Bella!’ featuring Italian female 60s pop singers – what’s Yeye in Italian? I bought the white vinyl lp, this is one of my favourite tracks on it:
Montréal-based Julie Blanche featured on these very pages last year after she finished runner-up at that year’s Les Francouvertes (the annual French-Canadian music festival which acts as a showcase for emerging francophone artists). Enthusing over her auto-financed EP the overriding thought was that here was not so much a showcase but more of a teaser from an artist that we hoped would grace this blog again…
And now armed with her eponymously-titled debut album it’s probably safe to say that Julie has emerged with an album that should comfortably find a place in any end of year retrospective…
This album comprises ten haunting and melancholy bitter-sweet vignettes, that feel intensely personal and semi-biographical. Every song on this album tells a story, each one an episode imbued with a different emotion and each perfectly framed by the sparseness of Julie’s voice and beautifully counterpoised by the richness of the accompanying melody. Indeed, it’s this richness – that lends an underlying warmth to proceedings – which ensures the album never becoming over-sentimental or maudlin.
To be honest, I’m absolutely blown away by this album, thanks in no small part to the combination of the masterful compositions of Antoine Corriveau (Julie’s long-time collaborator and partner), producer Mathieu Charbonneau. and Julie’s crystalline voice that leaves you hanging on her every word. Every song on this album is truly memorable; “Deux visages”, the opening track and a tale of those conflicting passions, love and hate; “Le manège” and a lover scorned. There’s an underlining menace rippling not far below the surface of “Au bout de la nuit” and “Comme un décor”.
But lest you think the album is hard work, these songs are balanced by the wistful “Le fleuve au complet”, the ethereal “Presque” and the album’s closing number, “La vie facile”, an uplifting reminiscence of a life lived to the full.
This is truly an exceptional œuvre and although I’m pretty certain that I haven’t even began to convey how good an album this is, I’m immediately drawn to comparisons – and I’m not alone here – with fellow Québecoise Salomé Leclerc. There’s the same assured art of story-telling and the same range of emotions conveyed in the voice. Indeed in Francophone Canada the album has received rave reviews and is already being given serious consideration as an album of the year candidate…
Serge Gainsbourg, Jane Birkin, Astrud Gilberto, Stereolab, Billie Holiday…we like what sweet voiced Maria Due likes. The Norwegian singer just released a cover album (Lucky Fish) with songs by none of the artists just mentioned. But by The Cure, Canned Heat, Young Rascals and Van der Graaf Generator – not bad. Plus a very soothing French sung version of ‘Martine’ by Louis Philippe, that you can hear below:
Emma Solal is a Paris-based chanteuse, whose debut album, Robes du Soir, was released in 2012. Her latest project is an EP of covers of Françoise Hardy songs, produced by Pierre Faa of French band Peppermoon. The EP, Messages Personnels is available on iTunes. For his blog The Widow Stanton, regular FS-contribuant Adrian Arratoon had a (very late) autumn rendezvous with Emma down the line from Paris to talk about her series of shows, the iconic singer, and making Hardy’s songs her own. Read Adrian’s interview HERE
In 2010, Jean Ferrat, aka The Red Bard, passed away. Last week, Des Airs de Liberté was released, a tribute of his songs by artists like Raphaël, Sanseverino and Natasha St. Pier. First single is Aimer a perdre la raison by Dionysos, featuring (of course) Babet. See that single here:
As is often the case with these kind of tributes, it’s a hit or miss affair. Nice versions by Raphael, Julien Doré, Dionysos, rather dull covers by Marc Lavoine, Gregoire and St Pier. Also on this compilation, the duet by Catherine Deneuve and Benjamin Biolay, that was used earlier in the movie Potiche:
Five years ago, Sky wrote this obituary for Ferrat.