Hanna

Best Lio-ripoff I heard in months, is Anti-Moi by Hanna. Her EP was released via MyMajorCompany, the crowdfunded label and home of Joyce Jonathan and Gregoire. Anti-moi isn’t the single, that’s Et si (clip). The EP has some promising moments, but is way to fluffy to really make a lasting impression.

Hanna – Anti-moi

No Strings Attached

„G-strings are not required in Quebec“, Margaret Dragu and A.S.A. Harrison write in their knowledgeable Revelations: Essays on Striptease and Sexuality. „In 1979 over a hundred strippers were charged with nudity for removing their G-strings, but the attorney general did not sign the orders.“ Among those exotic dancers well may have been Montreal’s one and only Rina Berti, „the singing stripper who is still talked about in Miami Beach and farther“, though her website doesn’t reveal any information about her former avocation. Sadly, the website also doesn’t tell about her musical outings, among them the French-Canadian cover of the Bee Gees’ 1977 club smasher Stayin’ Alive and a red-hot menopausal disco version of Light My Fire, both proving all-too-well that there are few differences between pop and burlesque shows, surely related art forms traditionally announced in the same mode: Bonsoir tout le monde, ce soir chez FS je vous veux presenter la belle Rina!

Rina Berti – Viens dans mes rêves
Rina Berti – Light My Fire

Blank Generation

The so-called Relax series is the chillout compilation line of German dance/ house producers Blank & Jones, Café del Mar style. Relax Volume 6 also features a French language track for summer patios and Freixenet ads – a cover of Francoise Hardy’s Comment te dire adieu by Gallic schlager starlet Berry which brings to mind some all-too-fitting words by T-Bone Burnett: “We live in an age of music for people who don’t like music. The record industry discovered some time ago that there aren’t that many people who actually like music. For a lot of people, music’s annoying, or at the very least they don’t need it. They discovered if they could sell music to a lot of those people, they could sell a lot more records.”

Berry – Comment te dire adieu

Bâtard Pop XXI: In Bed with Bonnie

Mash-up time again: On I’m in Love with Jane Birkin, a skateboarder and bootleg artist hiding behind the moniker B.A.R.T.O. & His Pop Orchestra fuses Serge & Jane’s immortal cunnilingual dialogue with Beres Hammond’s reggae tune I’m in Love – a daring, but smoothly executed operation. Another Gainsbourg aficionado is Nantes-based dancefloor entrepreneur and DJ John Poincarré: his amalgam of Serge’s Bonnie & Clyde (pic: Brigitte B. as Bonnie) and the Beastie Boys’ hiphop classic Body Movin’ feels like a first-class pas de deux, gangsta-style.

B.A.R.T.O. & His Pop Orchestra – I’m in Love with Jane Birkin
John Poincarré  – Bonnie’s Body Movin’

FS Rerun: Clare Torry

„I think she only did one take. And we all said, ‚Wow, that’s that done. Here’s your sixty quid’“, Roger Waters remembered quite ungentlemanlike about Clare Torry, the sadly unsung chanteuse who did the orgasmic wordless vocals on Pink Floyd’s The Great Gig in the Sky – arguably the best song on 1973’s Dark Side of the Moon. Soon after Clare was hired to do background vocals for Serge G., as well on the acridly funny Rock Around the Bunker as on L’homme à tête de chou, his histoire maudit of a sadistic murderer, including Ma Lou Marilou, with Clare adding a few moments of big-eyed innocence to Serge’s half-erection porn funk.

Serge Gainsbourg w/ Clare Torry – Ma Lou Marilou
Serge Gainsbourg w/ Clare Torry – Eva

Pink Floyd feat. Clare Torry– The Great Gig in the Sky